| 期 |
标题 |
文件 |
| 卷 2, 编号 2 (2021) |
Cross-cultural compositions for landscape contact zones of civilization connections |
(Eng)
|
|
Loiko A.
|
| 卷 3, 编号 4 (2022) |
Inclusive theatre and its role in the sociocultural space (on the problem of specifics and artistic language) |
(Rus)
(Eng)
|
|
Petrov V., Zavarnitsyna N.
|
| 卷 3, 编号 2 (2022) |
Russian sacred style in the miniatures of the illuminated chronicles of Ivan the Terrible |
(Rus)
(Eng)
|
|
Vishnya I.
|
| 卷 3, 编号 1 (2022) |
The development of G.N. Zhuravlyov’s unique style during his work on the icon The image of the holy great martyr George The Victorious |
(Rus)
(Eng)
|
|
Chibikova I.
|
| 卷 2, 编号 3 (2021) |
The solo violin sonatas of Ivan Handoshkin in the context of chamber and instrumental music оf eighteenth-century Russia |
(Rus)
(Eng)
|
|
Dyatlov D.
|
| 卷 1, 编号 2 (2020) |
THE «MARCH OF TIME» REFLECTED IN NEOLOGICAL «YEARBOOKS» OF THE TWENTIETH CENTURY1 |
(Rus)
|
|
Kozlovskaya N.
|
| 卷 2, 编号 4 (2021) |
”The city as the stage for my feelings”: the specific emotional identity of the inhabitants of a closed city |
(Rus)
|
|
Shub M.
|
| 卷 4, 编号 1 (2023) |
Living Mask and Character-Figure as Phenomena of Plastic Visualization and the Fundamental Principles of Plastic Language of Thinking (as Exemplified by the Ethnic Group of Mordvins) |
(Rus)
|
|
Dogorova N., Voronina N.
|
| 卷 1, 编号 2 (2020) |
«THE MUCH RESPECTED BOOKSHELF»: WHAT BOOKS DID THE PROTOTYPES OF THE HEROES OF A. TOLSTOI’S STORY «NIKITA’S CHILDHOOD» READ? |
(Rus)
|
|
Perepelkin M.
|
| 卷 2, 编号 4 (2021) |
”Musical theater” by Mark Levyant |
(Rus)
|
|
Dyatlov D.
|
| 卷 2, 编号 1 (2021) |
V.M. SHUKSHIN’S VIEW OF L.N. TOLSTOY’S «THOUGHTS ABOUT WRITING» |
(Rus)
|
|
Maryin D.
|
| 卷 2, 编号 3 (2021) |
“In the service of peace and progress”: тhе Moscow international book fair of 1975 |
(Rus)
|
|
Pashkovskaia G.
|
| 卷 2, 编号 2 (2021) |
V.K. Trediakovskii’s «In praise of summer»: on mushrooms, flies, and some mechanisms of cultural memory |
(Rus)
|
|
Osokin M.
|
| 卷 4, 编号 1 (2023) |
Romeo and Juliet by S. Prokofiev and l. Lavrovsky as a Sample of Choreodrama on the Stage of the G.Ts. Tsydynzhapov Buryat State Academic Opera and Ballet Theater |
(Rus)
|
|
Bagadaeva A.
|
| 卷 1, 编号 2 (2020) |
THE «HOLY TIES OF COMRADESHIP» IN THE DESTINY AND POETICS OF DMITRII SHOSTAKOVICH |
(Rus)
|
|
Milovidova N.
|
| 卷 3, 编号 3 (2022) |
Terpsikhora Strany Sovetov (“Terpsichore of the Soviet Country”): From Mezhdunarodnaya Kniga (“The International Book”) to the Iskusstvo (“Art”) Publishing House |
(Rus)
|
|
Boldyreva O., Chizh I.
|
| 卷 4, 编号 1 (2023) |
A Focus in Which the Interests and Requests of the Peasantry Intersect: Village Reading Rooms of the Crimean ASSR in the 1920s |
(Rus)
|
|
Pirozhkova T.
|
| 卷 2, 编号 4 (2021) |
Aksakov autumn – 2021 in Samara |
(Rus)
|
|
Baknina T., Bogdanova I.
|
| 卷 2, 编号 4 (2021) |
Updating of cultural heritage in the context of contemporary cultural policy |
(Rus)
|
|
Loginova M.
|
| 卷 5, 编号 1 (2024) |
Actualization of the Problem of Students’ Technological Skills Development in the Process of Artistic Ceramics Mastering: Thesaurus Approach |
(Rus)
|
|
Voronkov A.
|
| 卷 3, 编号 4 (2022) |
Almanacs of the late XVIIIth – first half of the XIXth centuries in the funds of the state museum-estate of V.G. Belinskiy |
(Rus)
|
|
Artyushina S., Rudneva L.
|
| 卷 5, 编号 1 (2024) |
The “Siberian Souvenir” Ensemble – to the 40th Anniversary of Its Foundation |
(Rus)
|
|
Stolbovsky V., Sharenda O., Banzaraktsaeva E.
|
| 卷 1, 编号 1 (2020) |
Anthropological interpretation of non-classical art |
(Rus)
|
|
Krivtsun O.
|
| 卷 2, 编号 4 (2021) |
A. P. Antropov – the first russian portrait painter of Catherine II: on the dialogicity of traditions |
(Rus)
|
|
Skorobogacheva E., Kremneva A.
|
| 卷 3, 编号 2 (2022) |
Art realm of today’s museum and art mediation |
(Rus)
|
|
Nazarov A.
|
| 卷 4, 编号 2 (2023) |
Archive of composer Savely Orlov: on the problem of actualization |
(Rus)
|
|
Dyatlov D.
|
| 卷 5, 编号 1 (2024) |
The Subject Architectonics of Sveta Litvak’s Visual Poetry |
(Rus)
|
|
Brusilovskaya Y.
|
| 卷 1, 编号 2 (2020) |
THE AUDIO CYCLE «DMITRI SHOSTAKOVICH SPEAKS» AS PART OF THE VIRTUAL PROJECT «THE VOICES OF THE GREATS: A COLLECTION OF VINYL RECORDS FROM THE COLLECTIONS OF THE SAMARA REGIONAL UNIVERSAL SCIENTIFIC LIBRARY» |
(Rus)
|
|
Zagorulko I.
|
| 卷 3, 编号 3 (2022) |
A Conversation about the Meanings and Mission of Culture at the Time of Social Turbulence |
(Rus)
|
|
Ionesov V., Khrenov N.
|
| 卷 2, 编号 3 (2021) |
The battle between a pig and a donkey: оn the reattribution of THE fable against Sumarokov from the literary war of the 1760s |
(Rus)
|
|
Osokin M.
|
| 卷 2, 编号 1 (2021) |
WINE TRADE AND THE ASSIMILATION OF NEW CULTURAL PRACTICES IN RUSSIA OF THE LATE XVIII - EARLY XIX CENTURIES |
(Rus)
|
|
Chetyrina N.
|
| 卷 4, 编号 1 (2023) |
Virtual Cemeteries as a Phenomenon of Digital Memory Studies |
(Rus)
|
|
Yarychev N.
|
| 卷 2, 编号 2 (2021) |
The influence of reformation on education, science and culture in early modern England |
(Rus)
|
|
Yerokhin V.
|
| 卷 4, 编号 3 (2023) |
Extrahuman instances in Culture |
(Rus)
|
|
Malyshev V.
|
| 卷 4, 编号 2 (2023) |
The ascending diagonal of Julian Markarov (in memory of a unique graphic artist) |
(Rus)
|
|
Sirotina I., Chichvarina O.
|
| 卷 4, 编号 3 (2023) |
The seasons in the lyrics of russian rock: winter and summer |
(Rus)
|
|
Letina N.
|
| 卷 4, 编号 4 (2023) |
Time in the Optics of Desubstantivation |
(Rus)
|
|
Petinova M.
|
| 卷 1, 编号 2 (2020) |
TIME AND SPACE IN THE MUSIC OF D. SHOSTAKOVICH |
(Rus)
|
|
Yarmukhametova R.
|
| 卷 1, 编号 2 (2020) |
EXPRESSIVENESS IN THE PERFORMATIVE ART OF CHOREOGRAPHY AS AN INTEGRAL PART OF NATIONAL DANCE CULTURE |
(Rus)
|
|
Makarova V.
|
| 卷 5, 编号 2 (2024) |
G.A. Vyatkin in the Volzhskoe Slovo newspaper: “Samara period” of the Siberian publicist |
(Rus)
|
|
Gerasimchuk I.
|
| 卷 2, 编号 1 (2021) |
THE GENEALOGY OF THE CITY IN LIGHT OF THE IDEA OF THE «MIDDLE» |
(Rus)
|
|
Nemtsev L.
|
| 卷 2, 编号 1 (2021) |
GLOBAL CRISIS AND THE CREATIVE INDUSTRIES IN AN ERA OF CHANGE |
(Rus)
|
|
Uvarov А.
|
| 卷 1, 编号 2 (2020) |
HUMANITARIAN SPACE OF SAMARA/KUIBYSHEV: TIME AND PLACE OF D. SHOSTAKOVICH |
(Rus)
|
|
Burlina E., Bоkuradze D.
|
| 卷 4, 编号 4 (2023) |
D.V. Ulyaninsky – a Failed Collector of Literature on the Revolutionary Movement in Russia |
(Rus)
|
|
Samarin A.
|
| 卷 5, 编号 1 (2024) |
Activities of Russian Libraries in the Field of Retrospective Scientific and Auxiliary Bibliography: Issues of Theory and Modern Practice |
(Rus)
|
|
Levin G.
|
| 卷 4, 编号 1 (2023) |
Dialogue with the Reader in the Novel One Billion Years to the End of the World by the Strugatsky Brothers |
(Rus)
|
|
Lisovitskaya V.
|
| 卷 2, 编号 3 (2021) |
Appendix No. 2 to the article by E.S. Bogdanova «Special Effects in Soviet Cinema: The Method of “Combined Perspective”» |
(Rus)
|
|
Ptushko A., Kozlov P., Belmasov M.
|
| 卷 1, 编号 2 (2020) |
THE DOCUMENTOSPHERE IN SOCIOCULTURAL SPACE |
(Rus)
|
|
Sokolov A.
|
| 卷 2, 编号 2 (2021) |
Personal documents of Tver merchants as cultural heritage |
(Rus)
|
|
Sereda N.
|
| 卷 1, 编号 1 (2020) |
Titles in the english language press as a factor of manipulative linguocultural influencein information wars |
(Rus)
|
|
Vokhrysheva E.
|
| 卷 3, 编号 4 (2022) |
Records in manuscript and printed books as a source of information on the spread of book culture in the middle Volga region of the XVIIth century |
(Rus)
|
|
Makarov A.
|
| 卷 3, 编号 1 (2022) |
Honored artist of the RSFSR Idea Alekseevna Erokhina |
(Rus)
|
|
Antonova L.
|
| 卷 4, 编号 2 (2023) |
The sound code of culture: the phenomenon of silence |
(Rus)
|
|
Loginova M., Prokaeva O.
|
| 卷 2, 编号 2 (2021) |
Idealism as «criminal content» (concerning A.F. Losev’s «restoration» of the world of eternal ideas) |
(Rus)
|
|
Kuznetsov V.
|
| 卷 5, 编号 2 (2024) |
The change in body-spatial sensation of man in the context of digital culture |
(Rus)
|
|
Mayakova O.
|
| 卷 3, 编号 4 (2022) |
Icon in the sociocultural and spiritual space of a Russian region |
(Rus)
|
|
Chibikova I.
|
| 卷 4, 编号 4 (2023) |
Iconography and plot features of the Syzran Old Believer icon |
(Rus)
|
|
Chibikova I., Naumova O.
|
| 卷 2, 编号 1 (2021) |
THE INTERMEDIALITY OF HARRY GORDON’S POETRY |
(Rus)
|
|
Seifert Е.
|
| 卷 2, 编号 1 (2021) |
THE USE OF MODERN VISUAL AIDS FOR DEVELOPING CULTURAL COMPETENCY AMONG STUDENTS OF SECONDARY VOCATIONAL SCHOOLS |
(Rus)
|
|
Bychkova N.
|
| 卷 1, 编号 2 (2020) |
The historical roots of the higher educational system, or what is the age of Uzbekistan universities? |
(Rus)
|
|
Khalmuradov R.
|
| 卷 3, 编号 2 (2022) |
Les concerts historiques as manifestation of the “co-creative” phenomenon of enlightenment (as exemplified by Charles-Valentin Alkan’s Petits concerts) |
(Rus)
|
|
Kuprina E.
|
| 卷 1, 编号 1 (2020) |
On the origins of socioterminology: socio-cultural contexts of a term’s functioning |
(Rus)
|
|
Alekseeva L., Mishlanova S.
|
| 卷 3, 编号 1 (2022) |
On museum ontology: history, memory, zeitregime |
(Rus)
|
|
Gerasimov O.
|
| 卷 4, 编号 4 (2023) |
How the Russian Idea Can Get out of the Captivity of Intellectual Irrationalism |
(Rus)
|
|
Bakshutova E., Rulina T.
|
| 卷 5, 编号 2 (2024) |
Caricatures of the anti-Napoleonic campaign of 1812-1814: what exactly was published in the Syn Otechestva magazine? |
(Rus)
|
|
Shcherbakova A.
|
| 卷 4, 编号 4 (2023) |
Catholicism in Andy Warhol’s Pop Art Style |
(Rus)
|
|
Iakovleva E.
|
| 卷 3, 编号 1 (2022) |
Book publishing in the Saratov province of 1918–28 as an object of scholarly research |
(Rus)
|
|
Kasovich A.
|
| 卷 4, 编号 1 (2023) |
Publisher Z.I. Grzhebin in Letters to Scientist, Socialist, Writer V.S. Voitinsky |
(Rus)
|
|
Anisimov А.
|
| 卷 3, 编号 3 (2022) |
Book Culture of the Germans of the Crimean ASSR in the Aspect of the National Policy of the Region During the 1920s–30s |
(Rus)
|
|
Pirozhkova T.
|
| 卷 5, 编号 1 (2024) |
Convolutes of E.P. Iordansky’s Personal Archive as a Samizdat Phenomenon |
(Rus)
|
|
Yarantsev V.
|
| 卷 2, 编号 4 (2021) |
The concept of “pride” («гордость») in east slavic and polish linguocultures |
(Rus)
|
|
Stefanski E.
|
| 卷 4, 编号 3 (2023) |
Creative reception of Leo Tolstoy’s works in contemporary dramaturgy |
(Rus)
|
|
Zhurcheva O.
|
| 卷 5, 编号 2 (2024) |
Reading culture in a digital transition |
(Rus)
|
|
Maslova Y.
|
| 卷 3, 编号 2 (2022) |
Cultural policy of stimulating young people’s reading commitment: priorities of the digital era |
(Rus)
|
|
Askarova V.
|
| 卷 4, 编号 2 (2023) |
Culturological vector in documentation-communicative sciences research: potential and perspectives |
(Rus)
|
|
Vokhrysheva M.
|
| 卷 1, 编号 1 (2020) |
M. Epshteyn - «chelovek slovotvoryashchiy» 16 voprosov Mikhailu Epshteynu o kul'ture, o vremeni i o sebe |
(Rus)
|
|
Ionesov V.
|
| 卷 1, 编号 2 (2020) |
MARGINAL VICTIMS AS A CULTURAL PHENOMENON |
(Rus)
|
|
Serikov А.
|
| 卷 2, 编号 3 (2021) |
The mediating role of karachai-balkar food in the rite of passage to the world of the dead in the late 19th - early 20th century |
(Rus)
|
|
Khadzhieva M.
|
| 卷 1, 编号 1 (2020) |
The methodology of the disciplines that constitute the system of documentation and communication |
(Rus)
|
|
Vokhrysheva M.
|
| 卷 4, 编号 3 (2023) |
The holiness motif of the emperor in S.S. Bekhteev’s poem Nicholas II |
(Rus)
|
|
Afanasyeva E., Antipina E.
|
| 卷 3, 编号 1 (2022) |
Lenin’s image in music as the artifact of the Soviet culture and history |
(Rus)
|
|
Batisheva V.
|
| 卷 2, 编号 3 (2021) |
Musical metaphor in the artistic world of Dina Rubina |
(Rus)
|
|
Kozinets S.
|
| 卷 4, 编号 4 (2023) |
Multimedia Edition on the History of Engraving: Justification of the Project |
(Rus)
|
|
Andreeva O., Ivanova P.
|
| 卷 3, 编号 1 (2022) |
Edification of Catherine II for the noble youth sent to foreign lands for training |
(Rus)
|
|
Aukštikalnytė A.
|
| 卷 5, 编号 2 (2024) |
Art science in the epoch of the cultural paradigms change: reflections on a new monograph by Nikolai Andreevich Khrenov |
(Rus)
|
|
Ionesov V.
|
| 卷 4, 编号 1 (2023) |
Scientific Periodization of Composer A.K. Glazunov’s Сreative Work |
(Rus)
|
|
Li S.
|
| 卷 3, 编号 1 (2022) |
Shostakovich’s unfinished opera The Gamblers: an artist’s unfinished concept and approaches to the reconstruction of the whole |
(Rus)
|
|
Krishtalyuk O.
|
| 卷 5, 编号 1 (2024) |
The Difference of the External and Internal Point of View in the Text with an Unreliable Narrator (Based on the Material of I. Andreev’s Short Story Thought) |
(Rus)
|
|
Smolenskaya M.
|
| 卷 5, 编号 2 (2024) |
Andrey Osipovich Nikulin – an artist-inventor (To the 100th anniversary of Mosfilm) |
(Rus)
|
|
Soldatova O., Pozdnyakov Y.
|
| 卷 4, 编号 2 (2023) |
New theatrics in the mediatization era |
(Rus)
|
|
Boldyreva T.
|
| 卷 5, 编号 1 (2024) |
Novgorod Art Porcelain of the 1950s |
(Rus)
|
|
Voropaeva T.
|
| 卷 1, 编号 1 (2020) |
Obraz - kontsept - filosofiya - iskusstvo(Retsenziya na izdanie: Loginova M.V. Sovremennaya filosofiya iskusstva: kontseptosfera: ucheb. posobie. Saransk: Izd-vo Mordov. un-ta, 2020. 220 s.) |
(Rus)
|
|
Slozhenikina Y.
|
| 卷 4, 编号 3 (2023) |
Communication about a book and reading: dynamics of forms in historical and cultural context |
(Rus)
|
|
Askarova V.
|
| 卷 4, 编号 4 (2023) |
Justifying Sub Specie Culture of Justifying History in Russian Religious and Philosophical Thought |
(Rus)
(Eng)
|
|
Gacheva А.
|
| 卷 3, 编号 4 (2022) |
Definition of urban culture mission in a modern city (as exemplified by the city district of Tolyatti of Samara region) |
(Rus)
|
|
Skripacheva I.
|
| 卷 2, 编号 4 (2021) |
The experience of modern cinema interpretation of classics: A.P. Chekhov’s «Three sisters» in Sergei Solovyov’s and Yuri Grymov’s film adaptations |
(Rus)
|
|
Zhurcheva T.
|
| 卷 1, 编号 2 (2020) |
Understanding the symbolic language of the Mordva ethno-cultural heritage: Nikolai Riabov’sethno-futuristic art |
(Rus)
|
|
Lapteva I.
|
| 卷 2, 编号 3 (2021) |
Understanding the fate of literary anecdotes in contemporary philology |
(Rus)
|
|
Golubkov S.
|
| 卷 3, 编号 2 (2022) |
Special features of the wall paintings in the churches of Uglich during the second half of the 18th and the first half of the 19th centuries |
(Rus)
|
|
Ivanova V.
|
| 卷 4, 编号 4 (2023) |
Officers’ Libraries at the Provincial Reserve Infantry Battalions of the Russian Empire in the Second Half of the XIXth Century: Plans and Reality |
(Rus)
|
|
Panchenko A.
|
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