| 期 |
标题 |
文件 |
| 卷 1, 编号 2 (2020) |
THE «MARCH OF TIME» REFLECTED IN NEOLOGICAL «YEARBOOKS» OF THE TWENTIETH CENTURY1 |
(Rus)
|
|
Kozlovskaya N.
|
| 卷 2, 编号 4 (2021) |
”The city as the stage for my feelings”: the specific emotional identity of the inhabitants of a closed city |
(Rus)
|
|
Shub M.
|
| 卷 4, 编号 1 (2023) |
Living Mask and Character-Figure as Phenomena of Plastic Visualization and the Fundamental Principles of Plastic Language of Thinking (as Exemplified by the Ethnic Group of Mordvins) |
(Rus)
|
|
Dogorova N., Voronina N.
|
| 卷 6, 编号 2 (2025) |
«Culture of narcissism» by Christopher Lash |
(Rus)
|
|
Zotov A.
|
| 卷 1, 编号 2 (2020) |
«THE MUCH RESPECTED BOOKSHELF»: WHAT BOOKS DID THE PROTOTYPES OF THE HEROES OF A. TOLSTOI’S STORY «NIKITA’S CHILDHOOD» READ? |
(Rus)
|
|
Perepelkin M.
|
| 卷 2, 编号 4 (2021) |
”Musical theater” by Mark Levyant |
(Rus)
|
|
Dyatlov D.
|
| 卷 2, 编号 1 (2021) |
V.M. SHUKSHIN’S VIEW OF L.N. TOLSTOY’S «THOUGHTS ABOUT WRITING» |
(Rus)
|
|
Maryin D.
|
| 卷 2, 编号 3 (2021) |
“In the service of peace and progress”: тhе Moscow international book fair of 1975 |
(Rus)
|
|
Pashkovskaia G.
|
| 卷 2, 编号 2 (2021) |
V.K. Trediakovskii’s «In praise of summer»: on mushrooms, flies, and some mechanisms of cultural memory |
(Rus)
|
|
Osokin M.
|
| 卷 6, 编号 2 (2025) |
“Courtly refinement”: Special Features of Some Female Portraits of the Fontainebleau School |
(Rus)
|
|
Russkikh D.
|
| 卷 4, 编号 1 (2023) |
Romeo and Juliet by S. Prokofiev and l. Lavrovsky as a Sample of Choreodrama on the Stage of the G.Ts. Tsydynzhapov Buryat State Academic Opera and Ballet Theater |
(Rus)
|
|
Bagadaeva A.
|
| 卷 1, 编号 2 (2020) |
THE «HOLY TIES OF COMRADESHIP» IN THE DESTINY AND POETICS OF DMITRII SHOSTAKOVICH |
(Rus)
|
|
Milovidova N.
|
| 卷 3, 编号 3 (2022) |
Terpsikhora Strany Sovetov (“Terpsichore of the Soviet Country”): From Mezhdunarodnaya Kniga (“The International Book”) to the Iskusstvo (“Art”) Publishing House |
(Rus)
|
|
Boldyreva O., Chizh I.
|
| 卷 4, 编号 1 (2023) |
A Focus in Which the Interests and Requests of the Peasantry Intersect: Village Reading Rooms of the Crimean ASSR in the 1920s |
(Rus)
|
|
Pirozhkova T.
|
| 卷 5, 编号 4 (2024) |
“Civilization of Leisure”: Cultural Challenges and Compensatory Potential of the “Response” |
(Rus)
|
|
Zubanova L., Gromova O.
|
| 卷 2, 编号 2 (2021) |
Cross-cultural compositions for landscape contact zones of civilization connections |
(Eng)
|
|
Loiko A.
|
| 卷 3, 编号 4 (2022) |
Inclusive theatre and its role in the sociocultural space (on the problem of specifics and artistic language) |
(Rus)
(Eng)
|
|
Petrov V., Zavarnitsyna N.
|
| 卷 3, 编号 2 (2022) |
Russian sacred style in the miniatures of the illuminated chronicles of Ivan the Terrible |
(Rus)
(Eng)
|
|
Vishnya I.
|
| 卷 3, 编号 1 (2022) |
The development of G.N. Zhuravlyov’s unique style during his work on the icon The image of the holy great martyr George The Victorious |
(Rus)
(Eng)
|
|
Chibikova I.
|
| 卷 2, 编号 3 (2021) |
The solo violin sonatas of Ivan Handoshkin in the context of chamber and instrumental music оf eighteenth-century Russia |
(Rus)
(Eng)
|
|
Dyatlov D.
|
| 卷 6, 编号 3 (2025) |
Author’s strategies for organizing dialogue with a teenager in the Own Territory project plays1 |
(Rus)
|
|
Tyutelova L.
|
| 卷 2, 编号 4 (2021) |
Aksakov autumn – 2021 in Samara |
(Rus)
|
|
Baknina T., Bogdanova I.
|
| 卷 6, 编号 3 (2025) |
Axiological grounds for the formation of cultural identity of young people in the new regions of Russia |
(Rus)
|
|
Letina N., Chernyavskaya A.
|
| 卷 2, 编号 4 (2021) |
Updating of cultural heritage in the context of contemporary cultural policy |
(Rus)
|
|
Loginova M.
|
| 卷 5, 编号 1 (2024) |
Actualization of the Problem of Students’ Technological Skills Development in the Process of Artistic Ceramics Mastering: Thesaurus Approach |
(Rus)
|
|
Voronkov A.
|
| 卷 3, 编号 4 (2022) |
Almanacs of the late XVIIIth – first half of the XIXth centuries in the funds of the state museum-estate of V.G. Belinskiy |
(Rus)
|
|
Artyushina S., Rudneva L.
|
| 卷 5, 编号 1 (2024) |
The “Siberian Souvenir” Ensemble – to the 40th Anniversary of Its Foundation |
(Rus)
|
|
Stolbovsky V., Sharenda O., Banzaraktsaeva E.
|
| 卷 1, 编号 1 (2020) |
Anthropological interpretation of non-classical art |
(Rus)
|
|
Krivtsun O.
|
| 卷 2, 编号 4 (2021) |
A. P. Antropov – the first russian portrait painter of Catherine II: on the dialogicity of traditions |
(Rus)
|
|
Skorobogacheva E., Kremneva A.
|
| 卷 5, 编号 3 (2024) |
The Apocalypse of Despiritualization as a Problem of Values: Based on Andrei Tarkovsky’s Creative Work |
(Rus)
|
|
Malyshev V.
|
| 卷 3, 编号 2 (2022) |
Art realm of today’s museum and art mediation |
(Rus)
|
|
Nazarov A.
|
| 卷 4, 编号 2 (2023) |
Archive of composer Savely Orlov: on the problem of actualization |
(Rus)
|
|
Dyatlov D.
|
| 卷 5, 编号 1 (2024) |
The Subject Architectonics of Sveta Litvak’s Visual Poetry |
(Rus)
|
|
Brusilovskaya Y.
|
| 卷 1, 编号 2 (2020) |
THE AUDIO CYCLE «DMITRI SHOSTAKOVICH SPEAKS» AS PART OF THE VIRTUAL PROJECT «THE VOICES OF THE GREATS: A COLLECTION OF VINYL RECORDS FROM THE COLLECTIONS OF THE SAMARA REGIONAL UNIVERSAL SCIENTIFIC LIBRARY» |
(Rus)
|
|
Zagorulko I.
|
| 卷 3, 编号 3 (2022) |
A Conversation about the Meanings and Mission of Culture at the Time of Social Turbulence |
(Rus)
|
|
Ionesov V., Khrenov N.
|
| 卷 2, 编号 3 (2021) |
The battle between a pig and a donkey: оn the reattribution of THE fable against Sumarokov from the literary war of the 1760s |
(Rus)
|
|
Osokin M.
|
| 卷 2, 编号 1 (2021) |
WINE TRADE AND THE ASSIMILATION OF NEW CULTURAL PRACTICES IN RUSSIA OF THE LATE XVIII - EARLY XIX CENTURIES |
(Rus)
|
|
Chetyrina N.
|
| 卷 4, 编号 1 (2023) |
Virtual Cemeteries as a Phenomenon of Digital Memory Studies |
(Rus)
|
|
Yarychev N.
|
| 卷 2, 编号 2 (2021) |
The influence of reformation on education, science and culture in early modern England |
(Rus)
|
|
Yerokhin V.
|
| 卷 4, 编号 3 (2023) |
Extrahuman instances in Culture |
(Rus)
|
|
Malyshev V.
|
| 卷 4, 编号 2 (2023) |
The ascending diagonal of Julian Markarov (in memory of a unique graphic artist) |
(Rus)
|
|
Sirotina I., Chichvarina O.
|
| 卷 4, 编号 3 (2023) |
The seasons in the lyrics of russian rock: winter and summer |
(Rus)
|
|
Letina N.
|
| 卷 4, 编号 4 (2023) |
Time in the Optics of Desubstantivation |
(Rus)
|
|
Petinova M.
|
| 卷 1, 编号 2 (2020) |
TIME AND SPACE IN THE MUSIC OF D. SHOSTAKOVICH |
(Rus)
|
|
Yarmukhametova R.
|
| 卷 1, 编号 2 (2020) |
EXPRESSIVENESS IN THE PERFORMATIVE ART OF CHOREOGRAPHY AS AN INTEGRAL PART OF NATIONAL DANCE CULTURE |
(Rus)
|
|
Makarova V.
|
| 卷 5, 编号 2 (2024) |
G.A. Vyatkin in the Volzhskoe Slovo newspaper: “Samara period” of the Siberian publicist |
(Rus)
|
|
Gerasimchuk I.
|
| 卷 2, 编号 1 (2021) |
THE GENEALOGY OF THE CITY IN LIGHT OF THE IDEA OF THE «MIDDLE» |
(Rus)
|
|
Nemtsev L.
|
| 卷 2, 编号 1 (2021) |
GLOBAL CRISIS AND THE CREATIVE INDUSTRIES IN AN ERA OF CHANGE |
(Rus)
|
|
Uvarov А.
|
| 卷 1, 编号 2 (2020) |
HUMANITARIAN SPACE OF SAMARA/KUIBYSHEV: TIME AND PLACE OF D. SHOSTAKOVICH |
(Rus)
|
|
Burlina E., Bоkuradze D.
|
| 卷 4, 编号 4 (2023) |
D.V. Ulyaninsky – a Failed Collector of Literature on the Revolutionary Movement in Russia |
(Rus)
|
|
Samarin A.
|
| 卷 5, 编号 3 (2024) |
V.E. Bank’s Case (“Bankovshhina”) |
(Rus)
|
|
Mikheeva G.
|
| 卷 5, 编号 1 (2024) |
Activities of Russian Libraries in the Field of Retrospective Scientific and Auxiliary Bibliography: Issues of Theory and Modern Practice |
(Rus)
|
|
Levin G.
|
| 卷 4, 编号 1 (2023) |
Dialogue with the Reader in the Novel One Billion Years to the End of the World by the Strugatsky Brothers |
(Rus)
|
|
Lisovitskaya V.
|
| 卷 2, 编号 3 (2021) |
Appendix No. 2 to the article by E.S. Bogdanova «Special Effects in Soviet Cinema: The Method of “Combined Perspective”» |
(Rus)
|
|
Ptushko A., Kozlov P., Belmasov M.
|
| 卷 1, 编号 2 (2020) |
THE DOCUMENTOSPHERE IN SOCIOCULTURAL SPACE |
(Rus)
|
|
Sokolov A.
|
| 卷 2, 编号 2 (2021) |
Personal documents of Tver merchants as cultural heritage |
(Rus)
|
|
Sereda N.
|
| 卷 6, 编号 1 (2025) |
Dramatic monologue as a material for group speech training |
(Rus)
|
|
Blyudov D.
|
| 卷 6, 编号 3 (2025) |
Expressionist painting: structural analysis |
(Rus)
|
|
Sevostyanov D.
|
| 卷 1, 编号 1 (2020) |
Titles in the english language press as a factor of manipulative linguocultural influencein information wars |
(Rus)
|
|
Vokhrysheva E.
|
| 卷 3, 编号 4 (2022) |
Records in manuscript and printed books as a source of information on the spread of book culture in the middle Volga region of the XVIIth century |
(Rus)
|
|
Makarov A.
|
| 卷 5, 编号 3 (2024) |
Bibliographic and Archaeographic Source Studies Sessions of the Round Table of the Russian Library Association in Sviyazhsk and Kazan |
(Rus)
|
|
Razdorsky A.
|
| 卷 3, 编号 1 (2022) |
Honored artist of the RSFSR Idea Alekseevna Erokhina |
(Rus)
|
|
Antonova L.
|
| 卷 4, 编号 2 (2023) |
The sound code of culture: the phenomenon of silence |
(Rus)
|
|
Loginova M., Prokaeva O.
|
| 卷 2, 编号 2 (2021) |
Idealism as «criminal content» (concerning A.F. Losev’s «restoration» of the world of eternal ideas) |
(Rus)
|
|
Kuznetsov V.
|
| 卷 5, 编号 3 (2024) |
Publishing Activities of the Russian Community in Narva and Ivangorod (1920-1940) |
(Rus)
|
|
Bazanov P.
|
| 卷 5, 编号 2 (2024) |
The change in body-spatial sensation of man in the context of digital culture |
(Rus)
|
|
Mayakova O.
|
| 卷 6, 编号 2 (2025) |
Changes in axiological and ethical foundations of socio-cultural institutions: influencing factors |
(Rus)
|
|
Komarova A.
|
| 卷 3, 编号 4 (2022) |
Icon in the sociocultural and spiritual space of a Russian region |
(Rus)
|
|
Chibikova I.
|
| 卷 4, 编号 4 (2023) |
Iconography and plot features of the Syzran Old Believer icon |
(Rus)
|
|
Chibikova I., Naumova O.
|
| 卷 2, 编号 1 (2021) |
THE INTERMEDIALITY OF HARRY GORDON’S POETRY |
(Rus)
|
|
Seifert Е.
|
| 卷 2, 编号 1 (2021) |
THE USE OF MODERN VISUAL AIDS FOR DEVELOPING CULTURAL COMPETENCY AMONG STUDENTS OF SECONDARY VOCATIONAL SCHOOLS |
(Rus)
|
|
Bychkova N.
|
| 卷 1, 编号 2 (2020) |
The historical roots of the higher educational system, or what is the age of Uzbekistan universities? |
(Rus)
|
|
Khalmuradov R.
|
| 卷 3, 编号 2 (2022) |
Les concerts historiques as manifestation of the “co-creative” phenomenon of enlightenment (as exemplified by Charles-Valentin Alkan’s Petits concerts) |
(Rus)
|
|
Kuprina E.
|
| 卷 6, 编号 2 (2025) |
The results of the restoration of the old believer estate of the Petrovs family in the Village of Nizhny Zhirim, Tarbagatai district of the Republic of Buryatia |
(Rus)
|
|
Nikolaeva L., Sannikova M.
|
| 卷 6, 编号 2 (2025) |
To the issue of the concept of animation films d’auteur |
(Rus)
|
|
Zaitsev A.
|
| 卷 1, 编号 1 (2020) |
On the origins of socioterminology: socio-cultural contexts of a term’s functioning |
(Rus)
|
|
Alekseeva L., Mishlanova S.
|
| 卷 3, 编号 1 (2022) |
On museum ontology: history, memory, zeitregime |
(Rus)
|
|
Gerasimov O.
|
| 卷 4, 编号 4 (2023) |
How the Russian Idea Can Get out of the Captivity of Intellectual Irrationalism |
(Rus)
|
|
Bakshutova E., Rulina T.
|
| 卷 5, 编号 2 (2024) |
Caricatures of the anti-Napoleonic campaign of 1812-1814: what exactly was published in the Syn Otechestva magazine? |
(Rus)
|
|
Shcherbakova A.
|
| 卷 6, 编号 3 (2025) |
Karl Fedorovich Fetterlein as an employee of the Rossika branch of the Imperial Public Library |
(Rus)
|
|
Mikheeva G.
|
| 卷 4, 编号 4 (2023) |
Catholicism in Andy Warhol’s Pop Art Style |
(Rus)
|
|
Iakovleva E.
|
| 卷 3, 编号 1 (2022) |
Book publishing in the Saratov province of 1918–28 as an object of scholarly research |
(Rus)
|
|
Kasovich A.
|
| 卷 4, 编号 1 (2023) |
Publisher Z.I. Grzhebin in Letters to Scientist, Socialist, Writer V.S. Voitinsky |
(Rus)
|
|
Anisimov А.
|
| 卷 3, 编号 3 (2022) |
Book Culture of the Germans of the Crimean ASSR in the Aspect of the National Policy of the Region During the 1920s–30s |
(Rus)
|
|
Pirozhkova T.
|
| 卷 6, 编号 1 (2025) |
Collective Practices in Creating Musical Compositions: from Baroque to the Modern Times |
(Rus)
|
|
Palamarzha A.
|
| 卷 5, 编号 1 (2024) |
Convolutes of E.P. Iordansky’s Personal Archive as a Samizdat Phenomenon |
(Rus)
|
|
Yarantsev V.
|
| 卷 2, 编号 4 (2021) |
The concept of “pride” («гордость») in east slavic and polish linguocultures |
(Rus)
|
|
Stefanski E.
|
| 卷 5, 编号 4 (2024) |
Conceptual Fashion: An Experience of Structural-Semiotic Analysis |
(Rus)
|
|
Sirotina I., Molchanova L.
|
| 卷 4, 编号 3 (2023) |
Creative reception of Leo Tolstoy’s works in contemporary dramaturgy |
(Rus)
|
|
Zhurcheva O.
|
| 卷 6, 编号 3 (2025) |
The сrisis of Christian сulture and ways to overcome it: C.G. Jung and F. Nietzsche |
(Rus)
|
|
Faritov V.
|
| 卷 5, 编号 2 (2024) |
Reading culture in a digital transition |
(Rus)
|
|
Maslova Y.
|
| 卷 6, 编号 3 (2025) |
Esperanto culture in a disjoined world: historical milestones and modern imperatives |
(Rus)
|
|
Ionesov V.
|
| 卷 3, 编号 2 (2022) |
Cultural policy of stimulating young people’s reading commitment: priorities of the digital era |
(Rus)
|
|
Askarova V.
|
| 卷 4, 编号 2 (2023) |
Culturological vector in documentation-communicative sciences research: potential and perspectives |
(Rus)
|
|
Vokhrysheva M.
|
| 卷 1, 编号 1 (2020) |
M. Epshteyn - «chelovek slovotvoryashchiy» 16 voprosov Mikhailu Epshteynu o kul'ture, o vremeni i o sebe |
(Rus)
|
|
Ionesov V.
|
| 卷 1, 编号 2 (2020) |
MARGINAL VICTIMS AS A CULTURAL PHENOMENON |
(Rus)
|
|
Serikov А.
|
| 卷 2, 编号 3 (2021) |
The mediating role of karachai-balkar food in the rite of passage to the world of the dead in the late 19th - early 20th century |
(Rus)
|
|
Khadzhieva M.
|
| 卷 5, 编号 3 (2024) |
Between A.P. Chekhov and M. Gorky: Evgeny Chirikov’s play Ivan Mironych Staged by the Moscow Art Theater (1905) |
(Rus)
|
|
Zhurcheva O.
|
| 卷 6, 编号 3 (2025) |
A memorial metaphor: essence, genesis, typological diversity |
(Rus)
|
|
Shub M.
|
| 卷 1, 编号 1 (2020) |
The methodology of the disciplines that constitute the system of documentation and communication |
(Rus)
|
|
Vokhrysheva M.
|
| 卷 4, 编号 3 (2023) |
The holiness motif of the emperor in S.S. Bekhteev’s poem Nicholas II |
(Rus)
|
|
Afanasyeva E., Antipina E.
|
| 卷 3, 编号 1 (2022) |
Lenin’s image in music as the artifact of the Soviet culture and history |
(Rus)
|
|
Batisheva V.
|
| 卷 2, 编号 3 (2021) |
Musical metaphor in the artistic world of Dina Rubina |
(Rus)
|
|
Kozinets S.
|
| 卷 4, 编号 4 (2023) |
Multimedia Edition on the History of Engraving: Justification of the Project |
(Rus)
|
|
Andreeva O., Ivanova P.
|
| 卷 3, 编号 1 (2022) |
Edification of Catherine II for the noble youth sent to foreign lands for training |
(Rus)
|
|
Aukštikalnytė A.
|
| 卷 5, 编号 2 (2024) |
Art science in the epoch of the cultural paradigms change: reflections on a new monograph by Nikolai Andreevich Khrenov |
(Rus)
|
|
Ionesov V.
|
| 卷 6, 编号 1 (2025) |
The Scientific Library named after N.I. Lobachevsky in the System of Academic Adaptation of Foreign Students of the Kazan (Volga) Federal University |
(Rus)
|
|
Mamakova T., Maslova Y.
|
| 卷 4, 编号 1 (2023) |
Scientific Periodization of Composer A.K. Glazunov’s Сreative Work |
(Rus)
|
|
Li S.
|
| 卷 5, 编号 4 (2024) |
A National Library as a Type: Territorial Peculiarities of Emergence, Historical Formst |
(Rus)
|
|
Matveev M.
|
| 卷 3, 编号 1 (2022) |
Shostakovich’s unfinished opera The Gamblers: an artist’s unfinished concept and approaches to the reconstruction of the whole |
(Rus)
|
|
Krishtalyuk O.
|
| 卷 5, 编号 1 (2024) |
The Difference of the External and Internal Point of View in the Text with an Unreliable Narrator (Based on the Material of I. Andreev’s Short Story Thought) |
(Rus)
|
|
Smolenskaya M.
|
| 卷 5, 编号 2 (2024) |
Andrey Osipovich Nikulin – an artist-inventor (To the 100th anniversary of Mosfilm) |
(Rus)
|
|
Soldatova O., Pozdnyakov Y.
|
| 卷 4, 编号 2 (2023) |
New theatrics in the mediatization era |
(Rus)
|
|
Boldyreva T.
|
| 卷 5, 编号 1 (2024) |
Novgorod Art Porcelain of the 1950s |
(Rus)
|
|
Voropaeva T.
|
| 卷 5, 编号 4 (2024) |
Sheet Music Journals of Russia the Last Quarter of the XVIIIth – the First Half of the XIXth Century: Peculiarities of Structure and Content |
(Rus)
|
|
Radzetskaya O.
|
| 卷 1, 编号 1 (2020) |
Obraz - kontsept - filosofiya - iskusstvo(Retsenziya na izdanie: Loginova M.V. Sovremennaya filosofiya iskusstva: kontseptosfera: ucheb. posobie. Saransk: Izd-vo Mordov. un-ta, 2020. 220 s.) |
(Rus)
|
|
Slozhenikina Y.
|
| 卷 4, 编号 3 (2023) |
Communication about a book and reading: dynamics of forms in historical and cultural context |
(Rus)
|
|
Askarova V.
|
| 卷 4, 编号 4 (2023) |
Justifying Sub Specie Culture of Justifying History in Russian Religious and Philosophical Thought |
(Rus)
(Eng)
|
|
Gacheva А.
|
| 卷 3, 编号 4 (2022) |
Definition of urban culture mission in a modern city (as exemplified by the city district of Tolyatti of Samara region) |
(Rus)
|
|
Skripacheva I.
|
| 卷 6, 编号 1 (2025) |
On the Experience of Work with Controversial Content in Libraries in the USA and Russia |
(Rus)
|
|
Demkina D.
|
| 卷 2, 编号 4 (2021) |
The experience of modern cinema interpretation of classics: A.P. Chekhov’s «Three sisters» in Sergei Solovyov’s and Yuri Grymov’s film adaptations |
(Rus)
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Zhurcheva T.
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| 卷 6, 编号 2 (2025) |
Understanding the revolutionary events of 1905-1907 in the work of Tomsk fiction writer V. Kuritsyn |
(Rus)
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Mogilatova M., Zhilyakova N.
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| 卷 1, 编号 2 (2020) |
Understanding the symbolic language of the Mordva ethno-cultural heritage: Nikolai Riabov’sethno-futuristic art |
(Rus)
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Lapteva I.
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| 卷 2, 编号 3 (2021) |
Understanding the fate of literary anecdotes in contemporary philology |
(Rus)
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Golubkov S.
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| 卷 3, 编号 2 (2022) |
Special features of the wall paintings in the churches of Uglich during the second half of the 18th and the first half of the 19th centuries |
(Rus)
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Ivanova V.
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| 卷 6, 编号 2 (2025) |
From decorative to industrial art: to the issue of the formation of the system of the soviet art industry |
(Rus)
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Stepanova D.
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| 卷 5, 编号 4 (2024) |
From Intertextuality to Remediation: Movements of Meanings and Forms in Modern Art Culture |
(Rus)
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Shub M.
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| 卷 4, 编号 4 (2023) |
Officers’ Libraries at the Provincial Reserve Infantry Battalions of the Russian Empire in the Second Half of the XIXth Century: Plans and Reality |
(Rus)
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Panchenko A.
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| 卷 5, 编号 1 (2024) |
The Memory of a Thing – The Revived Story of a Lost Artifact |
(Rus)
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Avanesova N.
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| 卷 6, 编号 2 (2025) |
Astrakhan artist Sh. A.-Kh. Taktashev’s parallel realism (to the 75th anniversary of his birth) |
(Rus)
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Taktashev M.
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| 卷 3, 编号 4 (2022) |
Late autumn in Ilyinskoye: the diary of grand duke Sergei Alexandrovich, 15 October – 16 November 1897 |
(Rus)
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Sofjina M., Sofjin D.
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| 卷 2, 编号 4 (2021) |
The search for a new development strategy of a regional institute of culture in conditions of glocalization |
(Rus)
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Naumova O., Alasheeva S.
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| 卷 3, 编号 4 (2022) |
A polylogue of musical collaboration (as exemplified by Ch.-V. Alkan’s second set оf transcriptions Souvenirs de concerts du conservatoire) |
(Rus)
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Kuprina E.
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| 卷 5, 编号 2 (2024) |
Popularization of scientific knowledge by means of the theater exemplified by scientific and theatrical laboratories |
(Rus)
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Shklyarskaya A.
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| 卷 6, 编号 1 (2025) |
F.F. Syromolotov’s Poetic Work in the Context of Newspaper Culture of the Early XXth Century |
(Rus)
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Kozlov I.
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| 卷 6, 编号 1 (2025) |
Continuity and Mentoring in Development of abstract painting in Siberia |
(Rus)
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Popova N.
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| 卷 3, 编号 2 (2022) |
Приложение к статье Е.С. Богдановой «Спецэффекты советского кино: метод дорисовки» (окончание). |
(Rus)
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Богданова Е.
|
| 卷 1, 编号 1 (2020) |
The problem of genre in mozart (on “Cosi fan tutte”) |
(Rus)
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Kuklinskaya M.
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| 卷 4, 编号 3 (2023) |
Problematic issues of the study and preparation of an Academic edition of S.I. Taneev’s cantata John of Damascus |
(Rus)
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Lukina G., Teterina N., Aleksandrova V.
|
| 卷 5, 编号 4 (2024) |
Problems of Bibliology Studies through a Prism of Digital Transformations in the Socio-Communicative Nature of a Book |
(Rus)
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Diner E.
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| 卷 3, 编号 2 (2022) |
The issues of meta-narrative structure in tom Stoppard’s play and film Rosencrantz and Guildenstern are dead |
(Rus)
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Abramovskikh E., Pasashkova S., Smolenskaya M.
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| 卷 1, 编号 1 (2020) |
Problems of development of the art of illustrating children’s books (late 18th-early 20th century) |
(Rus)
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Skorobogacheva E., Soldatova A.
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| 卷 4, 编号 1 (2023) |
The Problems of Preservation of the “St. Anastasia Chapel with Murals” (1990 – 1911) in the Modern Landscape of Pskov: Historical and Town Planning Aspect |
(Rus)
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Kononova P.
|
| 卷 6, 编号 2 (2025) |
Program and Project Activities of the National Libraries of Siberia and the Far East: The Initial Stage |
(Rus)
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Yudina I., Oyun R.
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| 卷 2, 编号 1 (2021) |
THE WORK OF ART IN A SOCIETY OF RISK |
(Rus)
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Alikhanova V., Garshin N.
|
| 卷 4, 编号 1 (2023) |
Professional Orientation of Library and Information Specialists of The Republic of Tatarstan (Research on the Basis of the Central Library of Kazan) |
(Rus)
|
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Maslova Y., Mansurova A.
|
| 卷 4, 编号 1 (2023) |
The Development of the Russian Film Industry in the Era of Digital Media Exemplified by A. Fedorchenko’s Film Big Snakes of Ulli-Kale |
(Rus)
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Liao Y.
|
| 卷 3, 编号 3 (2022) |
Conversations of the “Gallant” Era. Harmonic Features of Italian Vocal Duets and Dialogues in the Music of the First Half of the 17th Century |
(Rus)
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Popova M.
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| 卷 4, 编号 2 (2023) |
Anatoly Praudin’s directing strategies in the interpretation of the classics |
(Rus)
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Zhurcheva T.
|
| 卷 4, 编号 3 (2023) |
Book recommendation services in the bibliographic activities of libraries |
(Rus)
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Lavrik O., Yuklyaevskaya A.
|
| 卷 5, 编号 3 (2024) |
Renaissance and Decadence as Formation Ages of the Modern Understanding of Creativity |
(Rus)
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Pavlova O.
|
| 卷 6, 编号 1 (2025) |
Drawing as a Universal of Culture |
(Rus)
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Sevostyanov D.
|
| 卷 4, 编号 3 (2023) |
Ritual imitation as a way of symbolic requalification of culture (on example of proto-bactrian civilization artefacts) |
(Rus)
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Ionesov V.
|
| 卷 2, 编号 3 (2021) |
The role of self-generating databases (CNSHB) in providing information to users |
(Rus)
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Pirumova L.
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| 卷 4, 编号 2 (2023) |
The role of gender discourse in the сonstruction of the egitimized subject of the youth graffiti subculture |
(Rus)
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Kuzovenkova Y.
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| 卷 3, 编号 3 (2022) |
Women’s Role in the Foundation and Development of Private Libraries During the Second Half of the 19th and the Beginning of the 20th Centuries (Based on the Materials from the Upper Volga Area) |
(Rus)
|
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Solovyov A.
|
| 卷 6, 编号 3 (2025) |
A bouts-rimés novel in Russian fiction of the 1910s: phenomenology, authors’ intentions and sociocultural context |
(Rus)
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Tanaseychuk A.
|
| 卷 2, 编号 2 (2021) |
A list of the contents of the journal «The industrious Bee» (1759) |
(Rus)
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Rastyagayev A., Slozhenikina Y.
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| 卷 3, 编号 2 (2022) |
Russian-German crossroads: one sketch about I.P. Ladyzhnikov’s publishing house |
(Rus)
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Anisimov A.
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| 卷 5, 编号 4 (2024) |
On the Other Side of the Autobiography: M. Kuncewicz’s Novel The Stranger |
(Rus)
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Perepelkin M.
|
| 卷 1, 编号 2 (2020) |
Samara-Samarkand: Expanding Humanitarian Borders. To the 600th Anniversary of Samapkand State University |
(Rus)
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Naumova O.
|
| 卷 1, 编号 2 (2020) |
Samarkand state university - heir to great intellectual traditions |
(Rus)
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Ionesov V.
|
| 卷 2, 编号 1 (2021) |
SAMARSKIY ITOG II MEZhREGIONAL'NOGO FORUMA «ROD AKSAKOVYKh - GORDOST' OTEChESTVA» (10-12 NOYaBRYa 2020 g.) |
(Rus)
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Motin S.
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| 卷 6, 编号 3 (2025) |
Family reading in the visual arts |
(Rus)
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Khromov O.
|
| 卷 4, 编号 4 (2023) |
Sergey Yesenin and Paul Verlaine: Historical and Literary Parallels and Contexts |
(Rus)
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Voronova O.
|
| 卷 3, 编号 3 (2022) |
Sergey Aksakov, the First Professional Composer from Samara |
(Rus)
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Semenov V.
|
| 卷 5, 编号 2 (2024) |
A Siberian page in the history of the Saint Petersburg Military Topographic School Library |
(Rus)
|
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Panchenko A.
|
| 卷 6, 编号 2 (2025) |
The symbolic nature of rats in street art |
(Rus)
|
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Vilchinskaya-Butenko M.
|
| 卷 4, 编号 4 (2023) |
Synergistic Aesthetics |
(Rus)
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Medushevsky V.
|
| 卷 5, 编号 2 (2024) |
The syntagmatic and paradigmatic aspects of a musical text in the religious practice of Orthodox Islam |
(Rus)
|
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Shaiakhmetova A.
|
| 卷 1, 编号 1 (2020) |
The hidden languages of russian satire and humour |
(Rus)
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Golubkov S.
|
| 卷 3, 编号 1 (2022) |
Death, immortality and cosmos: William S. Burroughs about the fears of today |
(Rus)
|
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Ryapolov S.
|
| 卷 4, 编号 1 (2023) |
Semantic Horizons of the Poetics of the Visible in a Literary Text |
(Rus)
|
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Golubkov S.
|
| 卷 3, 编号 2 (2022) |
Today’s library psychology in the context of N.A. Rubakin’s legacy |
(Rus)
|
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Borodina V.
|
| 卷 5, 编号 2 (2024) |
Modern trends in Chinese drama of the twentieth century exemplified by Liao Yimei’s play Rhinoceros in Love |
(Rus)
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Sizova M.
|
| 卷 4, 编号 3 (2023) |
Sonata for viola and piano ор. 51 f-moll (1954) by V.Ya. Shebalin in russian music of the 50s of the XXth century: contexts of creativity |
(Rus)
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Radzetskaya O.
|
| 卷 3, 编号 2 (2022) |
The condition of the Baltic Fleet libraries during the first years of the soviet power (based on the materials of the Russian State Naval Archives) |
(Rus)
|
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Novikova L.
|
| 卷 4, 编号 2 (2023) |
Co-creative polylogue: art criticism aspect |
(Rus)
|
|
Kuprina E.
|
| 卷 1, 编号 1 (2020) |
The socio-philosophical foundations for a typology of civilizations |
(Rus)
|
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Tyugashev E.
|
| 卷 3, 编号 3 (2022) |
Specificities of the Urban Identity of Industrial City Residents in the Southern Urals (Based on the Materials of a Mass Survey) |
(Rus)
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Shub M.
|
| 卷 5, 编号 1 (2024) |
The specifics of the Narrative in the L.N. Tolstoy’s Later Works (Based on the Story Two Different Stories Of a Beehive with a Bast Cover) |
(Rus)
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Abramovskikh E.
|
| 卷 3, 编号 1 (2022) |
Special effects of the soviet cinema: a method of finishing drawing |
(Rus)
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Bogdanova E.
|
| 卷 2, 编号 2 (2021) |
Special effects in soviet cinema: the method of «combined perspective» |
(Rus)
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Bogdanova E.
|
| 卷 5, 编号 1 (2024) |
The Empire style in the Fashion of France at the Turn of the XVIIIth-XIXth Centuries |
(Rus)
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Vovk A., Naumova O.
|
| 卷 5, 编号 1 (2024) |
Structural and Content Features of Soviet ABC-Books |
(Rus)
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Kupriyanova T.
|
| 卷 5, 编号 3 (2024) |
Schematization in Artistic Picture: Hierarchy and Inversion |
(Rus)
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Sevostyanov D.
|
| 卷 4, 编号 2 (2023) |
Syzran periodical press (1917-1922) as a source on the history of book publishing and librarianship |
(Rus)
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Kurmaev M.
|
| 卷 2, 编号 4 (2021) |
Joan Miro’s art in the context of abstract surrealism |
(Rus)
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Stolyarova E.
|
| 卷 2, 编号 3 (2021) |
The theatricalisation of life in the era of Peter the Great in B.A. Sadovsky’s novel “Karl Weber” |
(Rus)
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Kislova N., Zhurcheva O.
|
| 卷 6, 编号 2 (2025) |
Thematism of N.A. Rimsky-Korsakov’s fugues op. 17: Bach’s intonation and structural elements |
(Rus)
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Davydova E., Sec O.
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| 卷 2, 编号 1 (2021) |
TRENDS IN THE APPLICATION OF DIGITAL TECHNOLOGIES IN THE SPACE OF A MODERN MUSEUM |
(Rus)
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Budagyan R.
|
| 卷 1, 编号 1 (2020) |
The theological dominant in I. Ivazovsky’s work |
(Rus)
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Skorobogacheva E.
|
| 卷 5, 编号 2 (2024) |
Technological foundations of a student creative project creation |
(Rus)
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Vinogradova L.
|
| 卷 6, 编号 1 (2025) |
Interpretation of the Concept of “Cultural studies” in the National Linguistic Traditions of Russia and Abroad |
(Rus)
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Kuznetsova M., Arefiev M.
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| 卷 6, 编号 1 (2025) |
Transformation of Graphic Fashion Techniques in the Context of the History of Costume Design |
(Rus)
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Arutcheva D.
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| 卷 2, 编号 1 (2021) |
Three epigrams by A.P. Sumarokov in the May issue of the journal “The Industrious Bee” (1759): the historical and cultural context |
(Rus)
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Rastyagayev A., Slozhenikina Y.
|
| 卷 2, 编号 3 (2021) |
Difficulties of semantization of preventive medicine terminology |
(Rus)
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Andreev V., Plakhotskaia Z.
|
| 卷 5, 编号 4 (2024) |
Tufa Fazylova – the Prima Donna of Tajik Opera |
(Rus)
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Drozhzhina M.
|
| 卷 1, 编号 2 (2020) |
Turko-mongol motifs and symbols in M. Veller’s «Altai» prose |
(Rus)
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Maryin D.
|
| 卷 5, 编号 4 (2024) |
At the Origins of the Russian Reception of Edwin Arnold: E.P. Blavatsky and V.V. Lesevich |
(Rus)
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Zhatkin D., Serdechnaya V.
|
| 卷 5, 编号 2 (2024) |
Сultural security threats in the context of the network culture popularization |
(Rus)
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Isachenko N.
|
| 卷 1, 编号 2 (2020) |
UKRAINIAN ENTREPRISES AND MUSIC THEATER OF THE FAR EAST IN 1900-1905 |
(Rus)
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Krylovskaya I.
|
| 卷 5, 编号 3 (2024) |
Estate and Dacha in Russian Literature of the XIXᵗʰ-XXIˢᵗ Centuries: the Current State of Studying |
(Rus)
|
|
Bogdanova O.
|
| 卷 3, 编号 2 (2022) |
Utilitarianism within today’s discourse of culture and philosophy |
(Rus)
|
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Yemelyanova N.
|
| 卷 3, 编号 1 (2022) |
The phenomenon of spontaneous commemoration: its essence, types, and functions |
(Rus)
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Yarychev N.
|
| 卷 5, 编号 4 (2024) |
Phenomenological Approach as a Basis for Training of Performing Musicians |
(Rus)
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Reznichenko M., Loginov V.
|
| 卷 5, 编号 1 (2024) |
Fiction Writers and Fiction Readers as Participants of the Literary Process: to the Creation of a Social Psychological Portrait |
(Rus)
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Solina A.
|
| 卷 6, 编号 2 (2025) |
Formation of artistic and creative consciousness of students by means of art in the process of teaching music (exemplified by a musical literature contest) |
(Rus)
|
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Milovidova N., Frolova L.
|
| 卷 4, 编号 2 (2023) |
Photoidentity: the specificity of photo sessions as a self-presentation tool |
(Rus)
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Zubanova L., Shub M.
|
| 卷 2, 编号 1 (2021) |
FUNCTIONS OF THE UNIVERSITY LIBRARY IN THE CONTEXT OF THE DIGITIZATION OF EDUCATION |
(Rus)
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Gavrilova Y.
|
| 卷 3, 编号 3 (2022) |
The Functional Role of Colloquial Syntax Elements in Tatyana Tolstaya’s Novel Kys’ |
(Rus)
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Baknina T.
|
| 卷 3, 编号 4 (2022) |
The Croatian scholar in his Siberian exile in the second half of the XVIIth century. On Juraj Križanjić’s book collection in Tobolsk |
(Rus)
|
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Shestopalov I.
|
| 卷 1, 编号 1 (2020) |
Verbal art in the contextof art synthesis (on the material of intermedial texts with singular authority) |
(Rus)
|
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Gavrikov V.
|
| 卷 3, 编号 3 (2022) |
Artistic Representations of the World of Childhood in Russia’s Nineteenth-Century Fine Art |
(Rus)
|
|
Zaytseva I., Kuznetsova M., Samsonova I.
|
| 卷 6, 编号 3 (2025) |
Artistic strategies and motives for turning to the nude genre (exemplified by N.I. Feshin’s work) |
(Rus)
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Iakovleva E.
|
| 卷 6, 编号 1 (2025) |
The Pater Noster Cycle of the Bible of Piscator and the Russian Iconography of the Lord’s Prayer in the XVII Century |
(Rus)
|
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Zapadalova P.
|
| 卷 5, 编号 3 (2024) |
Digital Transformations of Book Culture as a Subject of Scientific Research |
(Rus)
|
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Lopatina N., Voropayev A.
|
| 卷 2, 编号 4 (2021) |
Theatrical reading: from a theatrical format to the separate dramatic genre of a “text for performance” |
(Rus)
|
|
Sizova M.
|
| 卷 2, 编号 2 (2021) |
The evolution of poems as machines |
(Rus)
|
|
Faustov S.
|
| 卷 5, 编号 3 (2024) |
The Existential Theatricality of F.I. Chaliapin’s Thinking as the Basis of his Stage Skills |
(Rus)
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Iakovleva E.
|
| 卷 4, 编号 3 (2023) |
Epic in russian drama of the xixth century (exemplified by A.N. Ostrovsky’s plays) |
(Rus)
|
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Tyutelova L.
|
| 卷 4, 编号 1 (2023) |
Aesthetics of Samarkand in Ilgiz Fazulzyanov’s Jewelry Art: Heritage as an Area of Creativity |
(Rus)
|
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Ionesov V., Fazulzyanov I.
|
| 卷 5, 编号 4 (2024) |
Eschatology and Сulture: Golgotha Christian Newspaper The Novaya Zemlya (1910-1912) through the Prism of the Idea of Religious Justification of Culture |
(Rus)
|
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Gacheva A.
|
| 卷 3, 编号 4 (2022) |
Jubilee edition of A.S. Griboyedov’s comedy Wit works woe. 1862–2022 |
(Rus)
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Filippova A.
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