| Issue |
Section |
Title |
File |
| Vol 10, No 4 (2018) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
“VGIK DAYS”: FOREIGN ROUTES |
(Rus)
|
| Vol 10, No 4 (2018) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker |
(Eng)
(简体中)
(Rus)
|
| Vol 10, No 3 (2018) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
VGIK. Raznoobrazie graney mezhdunarodnogo sotrudnichestva |
(Rus)
|
| Vol 10, No 3 (2018) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur? |
(Rus)
|
| Vol 10, No 3 (2018) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Sound as a Sign and Artistic Symbol in Film |
(Rus)
|
| Vol 10, No 3 (2018) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Way of Genre in Cinema Documentary |
(Rus)
(简体中)
|
| Vol 10, No 3 (2018) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Influence of Far Eastern Culture on the Creative Work of S.M.Eisenstein |
(简体中)
(Rus)
|
| Vol 10, No 3 (2018) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Mythologeme of Asceticism in the National Cinema the 1930s |
(Rus)
|
| Vol 10, No 3 (2018) |
READING-ROOM | BOOK SHELF |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 10, No 3 (2018) |
PERFORMANCE | ART OF PRESENTATION |
Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries |
(Rus)
|
| Vol 10, No 3 (2018) |
PERFORMANCE | ART OF PRESENTATION |
Stunt Trickery as an Effective Spectacle Means of Artistic Expressiveness |
(Rus)
|
| Vol 10, No 3 (2018) |
PERFORMANCE | ART OF PRESENTATION |
The Doppelgänger Motif in the “New Sincerity” Cinema |
(Rus)
|
| Vol 10, No 3 (2018) |
WORLD CINEMA | ANALYSIS |
The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal |
(Rus)
|
| Vol 10, No 3 (2018) |
WORLD CINEMA | ANALYSIS |
Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film? |
(Rus)
|
| Vol 10, No 2 (2018) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
VGIK celebrates its 100th anniversary. Visit to the Republic of Kazakhstan |
(Rus)
|
| Vol 10, No 3 (2018) |
ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 10, No 2 (2018) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Film Art Against Avant-Garde? On the Onthology of Artistic Means |
(Rus)
|
| Vol 10, No 3 (2018) |
TELEVISION | DIGITAL ENVIRONMENT |
Small Screen and Great Ambitions: Australian Television Series in the Cultural Context of the Country |
(Rus)
|
| Vol 10, No 2 (2018) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Product of Film Industry - a Cultural Good in Commodity Form |
(Rus)
|
| Vol 10, No 3 (2018) |
TELEVISION | DIGITAL ENVIRONMENT |
Film Viewing of the Russians on TV Channels: Sociological Analysis |
(Rus)
|
| Vol 10, No 2 (2018) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Screen Metamorphoses of Ivan Pyryev |
(Rus)
|
| Vol 10, No 4 (2018) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Contemporary Russian Cinema and Its World Contexts |
(Rus)
|
| Vol 10, No 2 (2018) |
PERFORMANCE | ART OF PRESENTATION |
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play? |
(Rus)
|
| Vol 10, No 4 (2018) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity |
(Rus)
|
| Vol 10, No 2 (2018) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Mind-Body Dialectics in the Latest Science Fiction TV-Series |
(Rus)
|
| Vol 10, No 4 (2018) |
PERFORMANCE | ART OF PRESENTATION |
Involuntary Behavior of Gogol’s Heroes |
(Rus)
|
| Vol 10, No 2 (2018) |
READING-ROOM | BOOK SHELF |
BOOKSHELF |
(Rus)
|
| Vol 10, No 4 (2018) |
PERFORMANCE | ART OF PRESENTATION |
Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch” |
(Rus)
|
| Vol 10, No 2 (2018) |
WORLD CINEMA | ANALYSIS |
The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause |
(Rus)
|
| Vol 10, No 4 (2018) |
PERFORMANCE | ART OF PRESENTATION |
Composition as a Method of Communication in the Teaching of Fine Arts |
(Rus)
|
| Vol 10, No 2 (2018) |
WORLD CINEMA | ANALYSIS |
Screen Self-Reflection: Classification of Species |
(Rus)
|
| Vol 10, No 4 (2018) |
PERFORMANCE | ART OF PRESENTATION |
Riddle as a Structural Element of the Quest Genre |
(Rus)
|
| Vol 10, No 2 (2018) |
WORLD CINEMA | ANALYSIS |
Psychological Insight in Asgar Farhadi’s Early Films |
(Rus)
|
| Vol 10, No 4 (2018) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
The Culture of the XVIIIth Century and the Return to the Human Being |
(Rus)
|
| Vol 10, No 2 (2018) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Financing Cinema Production as a High-Risk Activity |
(Rus)
|
| Vol 10, No 4 (2018) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines |
(Rus)
|
| Vol 10, No 2 (2018) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Prospects for Professional Training of Producers in the Context of the Development of Film Business in Russia |
(Rus)
|
| Vol 10, No 4 (2018) |
WORLD CINEMA | ANALYSIS |
The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century |
(Rus)
|
| Vol 10, No 2 (2018) |
TELEVISION | DIGITAL ENVIRONMENT |
“New Drama” in the Context of the Historical Film |
(Rus)
|
| Vol 10, No 4 (2018) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia |
(Rus)
|
| Vol 10, No 2 (2018) |
RECOMMENDATIONS AUTHORS |
RECOMMENDATIONS AUTHORS |
(Rus)
|
| Vol 10, No 4 (2018) |
TELEVISION | DIGITAL ENVIRONMENT |
Visual Picture of the World in the Reflection of Modern Media |
(Rus)
|
| Vol 10, No 1 (2018) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
VGIK in the Dynamics of Creative Life |
(Rus)
|
| Vol 10, No 1 (2018) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Birth of Cinema in the Russian Empire and Film Censorship |
(Rus)
|
| Vol 10, No 1 (2018) |
TEOPИЯ И ИСТОРИЯ КИНО | АРХИВНЫЕ МАТЕРИАЛЫ |
On «Pretty Young Lady», Dos Passos and the Textology of «Art» |
(Rus)
|
| Vol 10, No 1 (2018) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years |
(Rus)
|
| Vol 10, No 1 (2018) |
PERFORMANCE | ART OF PRESENTATION |
Grief as a Cognitive Metaphore in “Manchester by the Sea” |
(Rus)
|
| Vol 10, No 1 (2018) |
PERFORMANCE | ART OF PRESENTATION |
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play? |
(Rus)
|
| Vol 10, No 1 (2018) |
PERFORMANCE | ART OF PRESENTATION |
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century |
(Rus)
|
| Vol 10, No 3 (2018) |
TELEVISION | DIGITAL ENVIRONMENT |
Multivariance of Reality in the Digital Paradigm |
(Rus)
(简体中)
|
| Vol 10, No 3 (2018) |
RECOMMENDATIONS AUTHORS |
REKOMENDATsII AVTORAM |
(Rus)
|
| Vol 10, No 1 (2018) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Maurice Maeterlinck’s Philosophy of Art |
(Rus)
|
| Vol 10, No 1 (2018) |
WORLD CINEMA | ANALYSIS |
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music |
(Rus)
|
| Vol 10, No 1 (2018) |
WORLD CINEMA | ANALYSIS |
The Transformation of the Jesse James’ Myth in Contemporary American Cinema |
(Rus)
|
| Vol 10, No 1 (2018) |
WORLD CINEMA | ANALYSIS |
The Origins of the First Sound Animation: Songs Series by the Fleischer Brothers |
(Rus)
|
| Vol 10, No 1 (2018) |
READING-ROOM | BOOK SHELF |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 10, No 1 (2018) |
TELEVISION | DIGITAL ENVIRONMENT |
The Science of the History of Media: Approaches and Concepts |
(Rus)
|
| Vol 9, No 4 (2017) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Educational project Triumph on Bothe Sides of the Ocean To the 75th Anniversary of the Oscar’s awarding for the Soviet film |
(Rus)
|
| Vol 9, No 4 (2017) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Birth of Cinema in the Russian Empire and Film Censorship |
(Rus)
|
| Vol 9, No 4 (2017) |
READING-ROOM | BOOK SHELF |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 9, No 4 (2017) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Storming of the Winter Palace as a Mythmaking of National Screen Culture |
(Rus)
|
| Vol 9, No 4 (2017) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Contemporary Hero in the Wartime Chronotope |
(Rus)
|
| Vol 9, No 4 (2017) |
PERFORMANCE | ART OF PRESENTATION |
Film Reconstruction of the Past as a Method of Understanding Reality |
(Rus)
|
| Vol 9, No 4 (2017) |
PERFORMANCE | ART OF PRESENTATION |
Metaphor in Cinema: Specifics of its Creation and Perception |
(Rus)
|
| Vol 9, No 4 (2017) |
PERFORMANCE | ART OF PRESENTATION |
Criteria of Composition of Documentaries about Nature |
(Rus)
|
| Vol 9, No 4 (2017) |
PERFORMANCE | ART OF PRESENTATION |
Hearing and Speech Voice Expressiveness of the Actor |
(Rus)
|
| Vol 9, No 4 (2017) |
READING-ROOM | BOOK SHELF |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 9, No 4 (2017) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Synthesis of Arts in Vasily Kandinsky's Creative Work |
(Rus)
|
| Vol 10, No 1 (2018) |
TELEVISION | DIGITAL ENVIRONMENT |
The Media Image as a Motivator for the Humanization of Society |
(Rus)
|
| Vol 10, No 1 (2018) |
XPOHИКА В ДЕТАЛЯХ | АКТУАЛЬНОЕ СОБЫТИЕ |
Sergey Eisenstein. A Look into Eternity |
(Rus)
|
| Vol 10, No 1 (2018) |
RECOMMENDATIONS AUTHORS |
RECOMMENDATIONS AUTHORS |
(Rus)
|
| Vol 9, No 3 (2017) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Summer Time is a Time Creativity |
(Rus)
|
| Vol 9, No 3 (2017) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Ethnographic Cinema: the Image of the Other |
(Rus)
|
| Vol 9, No 3 (2017) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s |
(Rus)
|
| Vol 9, No 3 (2017) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
To the Problem of the Numinous. The Sacrum Level of A. Tarkovsky’ Films |
(Rus)
|
| Vol 9, No 3 (2017) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Voice in the Metadiegetic Space of the Motion Picture |
(Rus)
|
| Vol 9, No 3 (2017) |
PERFORMANCE | ART OF PRESENTATION |
Screen Imagery as Reflected through Mythologems |
(Rus)
|
| Vol 9, No 3 (2017) |
PERFORMANCE | ART OF PRESENTATION |
Keynote Narration and Theory of Distance: Analysis of the Seasons |
(Rus)
|
| Vol 9, No 3 (2017) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Contextual Argumentation in the Humanities |
(Rus)
|
| Vol 9, No 3 (2017) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Mediatext Language Practices as a Factor in Representation of Reality |
(Rus)
|
| Vol 9, No 3 (2017) |
WORLD CINEMA | ANALYSIS |
Chinese Animation in Wan brothers’ Creative Work |
(Rus)
(简体中)
|
| Vol 9, No 3 (2017) |
WORLD CINEMA | ANALYSIS |
India and England in the Mirror of Screen |
(Rus)
|
| Vol 9, No 4 (2017) |
WORLD CINEMA | ANALYSIS |
Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s |
(Rus)
|
| Vol 9, No 4 (2017) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Development of Culture: Methodological Basis of State Regulation |
(Rus)
|
| Vol 9, No 4 (2017) |
TELEVISION | DIGITAL ENVIRONMENT |
Information Requirements of Society and Expressivity of Audiovisual Media |
(Rus)
|
| Vol 9, No 2 (2017) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Tarkovsky in a Changing Time |
(Rus)
|
| Vol 9, No 4 (2017) |
ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 9, No 2 (2017) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Demand for Russian Cinema |
(Rus)
|
| Vol 9, No 4 (2017) |
ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 9, No 4 (2017) |
НИИ КИНОИСКУССТВА ВГИК | МЕЖДУНАРОДНАЯ КОНФЕРЕНЦИЯ |
The Un-Gone Past in the Context of Research |
(Rus)
|
| Vol 9, No 2 (2017) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Gender Analysis of the Film “The Poet and the Fallen Soul” |
(Rus)
|
| Vol 9, No 2 (2017) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries |
(Rus)
|
| Vol 9, No 4 (2017) |
RECOMMENDATIONS AUTHORS |
RECOMMENDATIONS AUTHORS |
(Rus)
|
| Vol 9, No 2 (2017) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Censorship Machine in the Soviet Cinema of the 1920s |
(Rus)
|
| Vol 9, No 2 (2017) |
READING-ROOM | BOOK SHELF |
Biblioteka VGIK |
(Rus)
|
| Vol 9, No 2 (2017) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Image of the Invisible Observer in Andrei Tarkovksy’s “Mirror” |
(Rus)
|
| Vol 9, No 2 (2017) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Problem of Adaptation of Utopias in Russian Cinema |
(Rus)
|
| Vol 9, No 2 (2017) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Music in the Metadigetic Space of the Motion Picture |
(Rus)
|
| Vol 9, No 2 (2017) |
READING-ROOM | BOOK SHELF |
Biblioteka VGIK |
(Rus)
|
| Vol 9, No 2 (2017) |
PERFORMANCE | ART OF PRESENTATION |
Compensatory Happy Ending as a Typological Group of a Film Finale |
(Rus)
|
| Vol 9, No 2 (2017) |
READING-ROOM | BOOK SHELF |
Biblioteka VGIK |
(Rus)
|
| Vol 9, No 2 (2017) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Desktop Films. To Read or to Watch? |
(Rus)
|
| Vol 9, No 3 (2017) |
WORLD CINEMA | ANALYSIS |
The Aspects of Body in American Film Noir (1941-1955) |
(Rus)
|
| Vol 9, No 3 (2017) |
TELEVISION | DIGITAL ENVIRONMENT |
Russia's Contribution to Digital TV Broadcasting |
(Rus)
|
| Vol 9, No 3 (2017) |
READING-ROOM | BOOK SHELF |
BOOKSHELF |
(Rus)
|
| Vol 9, No 3 (2017) |
RECOMMENDATIONS AUTHORS |
PRAVILA DLYa AVTOROV |
(Rus)
|
| Vol 9, No 1 (2017) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
School of mastership |
(Rus)
|
| Vol 9, No 1 (2017) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Cinema and Globalization |
(Rus)
|
| Vol 9, No 1 (2017) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture |
(Rus)
|
| Vol 9, No 1 (2017) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema |
(Rus)
|
| Vol 9, No 1 (2017) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Kinoteatr.doc in Search of the «Real» Movies |
(Rus)
|
| Vol 9, No 1 (2017) |
PERFORMANCE | ART OF PRESENTATION |
Dynamics of Corporality and Static Models of Space in Thriller Dramaturgy |
(Rus)
|
| Vol 9, No 1 (2017) |
PERFORMANCE | ART OF PRESENTATION |
Music as a Part of the Theatrical Game of the Movie |
(Rus)
|
| Vol 9, No 1 (2017) |
READING-ROOM | BOOK SHELF |
ChITAL'NYY ZAL | KNIZhNAYa POLKA |
(Rus)
|
| Vol 9, No 1 (2017) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
The Principle of Mirror Reflection and the Ways of Manifesting the Transcendent in Tarkovsky’s The Mirror |
(Rus)
|
| Vol 9, No 2 (2017) |
WORLD CINEMA | ANALYSIS |
Individualism as a Cultural Syndrome in Recent American Cinema |
(Rus)
|
| Vol 9, No 2 (2017) |
WORLD CINEMA | ANALYSIS |
Cinema of Arabic East: the Problem of Radical Islam |
(Rus)
|
| Vol 9, No 2 (2017) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Culture-Bound Items in the Formation of the Cinema Audiences |
(Rus)
|
| Vol 9, No 1 (2017) |
WORLD CINEMA | ANALYSIS |
Screen Image and the System of expressive Means in American Documentary of the 1960s |
(Rus)
|
| Vol 8, No 4 (2016) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Student Creativity Festival |
(Rus)
|
| Vol 8, No 4 (2016) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Newsreel: Is Its Revival Possible? |
(Rus)
|
| Vol 8, No 4 (2016) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years |
(Rus)
|
| Vol 8, No 4 (2016) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Education Genres Animated Poster in the Second Half of the 20th Century |
(Rus)
|
| Vol 8, No 4 (2016) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Historical Potential of Newsreel and Its Interpretation |
(Rus)
|
| Vol 8, No 4 (2016) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Patterns of Behavior in the Great Patriotic War’s Soviet Cinema |
(Rus)
|
| Vol 8, No 4 (2016) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Destiny of Indian Cinema in Russia |
(Rus)
|
| Vol 8, No 4 (2016) |
PERFORMANCE | ART OF PRESENTATION |
Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film |
(Rus)
|
| Vol 8, No 4 (2016) |
PERFORMANCE | ART OF PRESENTATION |
“Provincial” Cinema on Global Orbits |
(Rus)
|
| Vol 8, No 4 (2016) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy |
(Rus)
|
| Vol 8, No 4 (2016) |
READING-ROOM | BOOK SHELF |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 8, No 3 (2016) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Convocation. Freshies' Day |
(Rus)
|
| Vol 8, No 4 (2016) |
WORLD CINEMA | ANALYSIS |
Travesty of the Sacred in Postmodernist Westerns |
(Rus)
|
| Vol 8, No 3 (2016) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Soviet Puppet Cinema of the 1930s: from Avant-Garde to Mainstream |
(Rus)
|
| Vol 8, No 4 (2016) |
WORLD CINEMA | ANALYSIS |
Two Peoples, Two Worlds |
(Rus)
|
| Vol 8, No 3 (2016) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Development of the Animated Poster in the First Half of the XX century |
(Rus)
|
| Vol 8, No 4 (2016) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
«Pulsating Organizations» in Culture |
(Rus)
|
| Vol 8, No 3 (2016) |
READING-ROOM | BOOK SHELF |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 8, No 4 (2016) |
TELEVISION | DIGITAL ENVIRONMENT |
TV Moves into Virtual Reality as a Projection of Development |
(Rus)
|
| Vol 8, No 3 (2016) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Documentaries, 21st Century: Time to Sum Up |
(Rus)
|
| Vol 8, No 4 (2016) |
RECOMMENDATIONS AUTHORS |
RECOMMENDATIONS AUTHORS |
(Rus)
|
| Vol 9, No 1 (2017) |
WORLD CINEMA | ANALYSIS |
Style “Noir” in Classical and Contemporary Art History |
(Rus)
|
| Vol 9, No 1 (2017) |
READING-ROOM | BOOK SHELF |
ChITAL'NYY ZAL | KNIZhNAYa POLKA |
(Rus)
|
| Vol 9, No 1 (2017) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Innovations in the Financial Regulation of Culture and Art Institutions |
(Rus)
|
| Vol 9, No 1 (2017) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
“Pulsating Organizations’’ in Culture (for the beginning see Issue № 4 (30), 2016) |
(Rus)
|
| Vol 9, No 1 (2017) |
TELEVISION | DIGITAL ENVIRONMENT |
Evergreen Theories of Mass Communication: Uses and Gratifications Approach |
(Rus)
|
| Vol 9, No 1 (2017) |
READING-ROOM | BOOK SHELF |
READING ROOM | BOOKSHELF |
(Rus)
|
| Vol 8, No 3 (2016) |
PERFORMANCE | ART OF PRESENTATION |
Kaleidoscope Aesthetics in Visual Media |
(Rus)
|
| Vol 8, No 2 (2016) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Tribute to the Teacher |
(Rus)
|
| Vol 8, No 2 (2016) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Animated Poster: Its Origins, Specificity and Peculiarity |
(Rus)
|
| Vol 8, No 2 (2016) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Structural Analysis of Film Characters |
(Rus)
|
| Vol 8, No 2 (2016) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Adultery in Russian Cinema: From the “Thaw” to the End of the Soviet Epoch |
(Rus)
|
| Vol 8, No 2 (2016) |
PERFORMANCE | ART OF PRESENTATION |
Modernist Cinema of Andrey Tarkovsky |
(Rus)
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| Vol 8, No 2 (2016) |
PERFORMANCE | ART OF PRESENTATION |
Kaleidoscope Aesthetics in Visual Media |
(Rus)
|
| Vol 8, No 2 (2016) |
READING-ROOM | BOOK SHELF |
ChITAL'NYY ZAL | KNIZhNAYa POLKA |
(Rus)
|
| Vol 8, No 2 (2016) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
The Moral Law of Love Conservation |
(Rus)
|
| Vol 8, No 2 (2016) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Violence in Films: Three Preconditions for the Mimetic Effect |
(Rus)
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| Vol 8, No 2 (2016) |
WORLD CINEMA | ANALYSIS |
Isao Takahata’s Nostalgia |
(Rus)
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| Vol 8, No 2 (2016) |
WORLD CINEMA | ANALYSIS |
Primary Cinema Sources of American Noir |
(Rus)
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| Vol 8, No 3 (2016) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism |
(Rus)
|
| Vol 8, No 3 (2016) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy |
(Rus)
|
| Vol 8, No 3 (2016) |
WORLD CINEMA | ANALYSIS |
The Influence of the Painting Tradition on Derek Jarman’s Films |
(Rus)
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| Vol 8, No 3 (2016) |
WORLD CINEMA | ANALYSIS |
Specifics of Imaginative Approach in the US Documentary of 1960-2000s |
(Rus)
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| Vol 8, No 3 (2016) |
WORLD CINEMA | ANALYSIS |
Indian Cinema: Past and Present |
(Rus)
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| Vol 8, No 3 (2016) |
WORLD CINEMA | ANALYSIS |
A Criminal as the Main Movie Character, or Old Themes and New Solutions |
(Rus)
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| Vol 8, No 3 (2016) |
READING-ROOM | BOOK SHELF |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 8, No 3 (2016) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
On The Matter of Market in Cinema |
(Rus)
|
| Vol 8, No 1 (2016) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
The Year of Russian Cinema |
(Rus)
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| Vol 8, No 3 (2016) |
TELEVISION | DIGITAL ENVIRONMENT |
The Visualization as a Way of Involvement in TV Commercials |
(Rus)
|
| Vol 8, No 1 (2016) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The 60s. Half a Century Later. Nostalgia |
(Rus)
|
| Vol 8, No 3 (2016) |
RECOMMENDATIONS AUTHORS |
RECOMMENDATIONS AUTHORS |
(Rus)
|
| Vol 8, No 1 (2016) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Love in the Soviet Qnema as the Stereotype of Gender Relations |
(Rus)
|
| Vol 8, No 1 (2016) |
PERFORMANCE | ART OF PRESENTATION |
Lost in Translation: Songs in Foreign Films |
(Rus)
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| Vol 8, No 1 (2016) |
PERFORMANCE | ART OF PRESENTATION |
Landscape as a Leitmotif of a Film |
(Rus)
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| Vol 8, No 1 (2016) |
PERFORMANCE | ART OF PRESENTATION |
Directing “Mixed” Forms. Dialogue of Classical Traditions and Modern Creative Practice |
(Rus)
|
| Vol 8, No 1 (2016) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Synesthetic Problems in French Symbolism’ Aesthetics and their Current Relevance |
(Rus)
|
| Vol 8, No 1 (2016) |
WORLD CINEMA | ANALYSIS |
The Birth of Identity in the Finnish Cinema |
(Rus)
|
| Vol 8, No 2 (2016) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Development of the Financial Relations in the Cultural Sphere |
(Rus)
|
| Vol 8, No 2 (2016) |
TELEVISION | DIGITAL ENVIRONMENT |
Documentary Footage in the TV Film Portrait: Methods and Techniques of Mastering |
(Rus)
|
| Vol 8, No 2 (2016) |
READING-ROOM | BOOK SHELF |
ChITAL'NYY ZAL | KNIZhNAYa POLKA |
(Rus)
|
| Vol 8, No 2 (2016) |
ХРОНИКА В ДЕТАЛЯХ | МЕРОПРИЯТИЯ ВГИК |
The Aesthetics of Filming in the Format of Scientific Conferences |
(Rus)
|
| Vol 8, No 2 (2016) |
RECOMMENDATIONS AUTHORS |
REKOMENDATsII AVTORAM |
(Rus)
|
| Vol 7, No 4 (2015) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Focus - on Young Cinema |
(Rus)
|
| Vol 7, No 4 (2015) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Toward the Sociological Rationalization of State Film Policy |
(Rus)
|
| Vol 8, No 1 (2016) |
WORLD CINEMA | ANALYSIS |
Emotional Influence on the Viewer in Contemporary American Cinema |
(Rus)
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| Vol 8, No 1 (2016) |
WORLD CINEMA | ANALYSIS |
American Biopic in Contemporary Cinema |
(Rus)
|
| Vol 8, No 1 (2016) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Economic Regulation in the Sphere of Culture and Art: the Current State and Essential Problems |
(Rus)
|
| Vol 8, No 1 (2016) |
TELEVISION | DIGITAL ENVIRONMENT |
TV Project as a Specimen of Social Engineering |
(Rus)
|
| Vol 8, No 1 (2016) |
TELEVISION | DIGITAL ENVIRONMENT |
Media Concentration as the Structuring Process of Screen Communications |
(Rus)
|
| Vol 8, No 1 (2016) |
ХРОНИКА В ДЕТАЛЯХ | МЕРОПРИЯТИЯ ВГИК |
EVENTS IN THE DETAILS | EVENTS VGIK |
(Rus)
|
| Vol 7, No 4 (2015) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The 60s. Half a Century Later. Nostalgia |
(Rus)
|
| Vol 7, No 3 (2015) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Freshman Day. At the crossroads of history and modernity |
(Rus)
|
| Vol 7, No 3 (2015) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation |
(Rus)
|
| Vol 7, No 3 (2015) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Functional Duality of Cinema |
(Rus)
|
| Vol 7, No 3 (2015) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Evolution of Dramaturgy of Fiction Popular Science Films |
(Rus)
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| Vol 7, No 3 (2015) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Representation of Youth in Soviet Cinema of the 1950s |
(Rus)
|
| Vol 7, No 3 (2015) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
II Scientific-Practical Conference “Innovative technologies in film and education”. VII International Children's Painting Competition “Cinema in children's drawings” |
(Rus)
|
| Vol 7, No 3 (2015) |
PERFORMANCE | ART OF PRESENTATION |
Conversation Direction in Russian Contemporary Documentaries |
(Rus)
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| Vol 7, No 3 (2015) |
PERFORMANCE | ART OF PRESENTATION |
Feature Film Quotation in a Documentary Portrait: a Functional-Semantic Aspect |
(Rus)
|
| Vol 7, No 3 (2015) |
PERFORMANCE | ART OF PRESENTATION |
Video Art: Significant Absence of Editing as an Artistic Tool |
(Rus)
|
| Vol 7, No 3 (2015) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
35th International Student Festival |
(Rus)
|
| Vol 7, No 3 (2015) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Creative Process as an Aesthetic Entity |
(Rus)
|
| Vol 7, No 3 (2015) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
VIII International scientific-practical conference “Animation as a Cultural Phenomenon. Preservation of cultural traditions in the context of globalization” |
(Rus)
|
| Vol 7, No 3 (2015) |
WORLD CINEMA | ANALYSIS |
Iran in Contemporary Russian Cinema (Film’s Visual Formula) |
(Rus)
|
| Vol 7, No 3 (2015) |
WORLD CINEMA | ANALYSIS |
Video Aesthetics in Cinema and Video Art |
(Rus)
|
| Vol 7, No 4 (2015) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Countercommunicative Mechanisms in the Artistic Practice of Cinema |
(Rus)
|
| Vol 7, No 3 (2015) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Branding as a Factor of Competitiveness of the “Lenfilm” Studio |
(Rus)
|
| Vol 7, No 3 (2015) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
7th International Summer Film School VGIK |
(Rus)
|
| Vol 7, No 3 (2015) |
TELEVISION | DIGITAL ENVIRONMENT |
Visualization Techniques on Business TV |
(Rus)
|
| Vol 7, No 3 (2015) |
TELEVISION | DIGITAL ENVIRONMENT |
Media Evolution Emulation |
(Rus)
|
| Vol 7, No 4 (2015) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Reconstruction as the Character Depiction Method in Documentary |
(Rus)
|
| Vol 7, No 1 (2015) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
«Student Taffy» - an innovative project |
(Rus)
|
| Vol 7, No 1 (2015) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
S.M. Eisenstein’s Aesthetics in Semiotic Perspective |
(Rus)
|
| Vol 7, No 1 (2015) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
From Theory to Methodology of Cinema |
(Rus)
|
| Vol 7, No 1 (2015) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The First Men on Venus: Space Travels in Russian Cinema of the 1930-1960s |
(Rus)
|
| Vol 7, No 1 (2015) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
“Deus ex Machina” as a Method of Constructing a Happy End in Film Art |
(Rus)
|
| Vol 7, No 1 (2015) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Evolution of Mythological Narrative in Sergey Bodrov's Work |
(Rus)
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| Vol 7, No 1 (2015) |
PERFORMANCE | ART OF PRESENTATION |
Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work |
(Rus)
|
| Vol 7, No 1 (2015) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
The Effect of Media Culture on Modern Art: Photography, Hyperrealism, Video Art |
(Rus)
|
| Vol 7, No 1 (2015) |
WORLD CINEMA | ANALYSIS |
European Film Avant-Garde: Poetics of Objectiveness |
(Rus)
|
| Vol 7, No 1 (2015) |
Articles |
Biblioteka VGIK |
(Rus)
|
| Vol 7, No 1 (2015) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
1992-2012. Attempts at Privatization of Film Studios |
(Rus)
|
| Vol 7, No 1 (2015) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Movie Distribution Categories in Russia: Sample of Statistical Analysis |
(Rus)
|
| Vol 7, No 1 (2015) |
TELEVISION | DIGITAL ENVIRONMENT |
Split Screen as a Method of Film Editing |
(Rus)
|
| Vol 7, No 1 (2015) |
TELEVISION | DIGITAL ENVIRONMENT |
«We» and «Others» - Their Actions and Our Reactions |
(Rus)
|
| Vol 7, No 1 (2015) |
READING-ROOM | REVIEW |
Escaping Aesthetics, or What Film Theory Should Do? |
(Rus)
|
| Vol 7, No 4 (2015) |
PERFORMANCE | ART OF PRESENTATION |
Interpretation of the Soviet Thaw (Ottepel’) Period in Contemporary Cinema |
(Rus)
|
| Vol 7, No 4 (2015) |
PERFORMANCE | ART OF PRESENTATION |
Screening Zurbagan: On Use of Animation in Russian Feature Cinema |
(Rus)
|
| Vol 7, No 4 (2015) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Faith as One of the Universal Existential Categories |
(Rus)
|
| Vol 7, No 2 (2015) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Roads of the War. On the 70th anniversary of the Great Victory |
(Rus)
|
| Vol 7, No 4 (2015) |
WORLD CINEMA | ANALYSIS |
European Avant-guard: Dialectics of “Feature” and “Non-feature” Films |
(Rus)
|
| Vol 7, No 2 (2015) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Eisenstein’s Aesthetics in Semiotic Perspective |
(Rus)
|
| Vol 7, No 4 (2015) |
WORLD CINEMA | ANALYSIS |
The Theme of Apocalypse in Australian Cinema |
(Rus)
|
| Vol 7, No 2 (2015) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
From Theory to Methodology of Cinema |
(Rus)
|
| Vol 7, No 4 (2015) |
PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT |
Naomi Kawase: the Eternal and the Transitory |
(Rus)
|
| Vol 7, No 2 (2015) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film |
(Rus)
|
| Vol 7, No 4 (2015) |
TELEVISION | DIGITAL ENVIRONMENT |
TV Dramaturgy: Format Approach |
(Rus)
|
| Vol 7, No 2 (2015) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Stylistic Features Of Russian Arthouse |
(Rus)
|
| Vol 7, No 4 (2015) |
TELEVISION | DIGITAL ENVIRONMENT |
Media Evolution Emulation: Development Perspectives |
(Rus)
|
| Vol 7, No 2 (2015) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Synthesis of National and Transnational in A. Konchalovsky's American Movies |
(Rus)
|
| Vol 7, No 2 (2015) |
PERFORMANCE | ART OF PRESENTATION |
From Greek Tragedy To Opera-Film |
(Rus)
|
| Vol 7, No 2 (2015) |
PERFORMANCE | ART OF PRESENTATION |
Sound Editing in Screen Works |
(Rus)
|
| Vol 7, No 2 (2015) |
READING-ROOM | BOOK SHELF |
READING ROOM | BOOKSHELF |
(Rus)
|
| Vol 7, No 2 (2015) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
L.S. Vygotsky On Psychological Properties of Art Form Organization |
(Rus)
|
| Vol 7, No 2 (2015) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Interaction of Artistic Culture of Russia and Scandinavian Countries at the turn of the 19th-20th Centuries |
(Rus)
|
| Vol 7, No 2 (2015) |
WORLD CINEMA | ANALYSIS |
World War II in the Cinema of Green Continent |
(Rus)
|
| Vol 7, No 2 (2015) |
WORLD CINEMA | ANALYSIS |
Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis |
(Rus)
|
| Vol 7, No 2 (2015) |
TELEVISION | DIGITAL ENVIRONMENT |
Propaganda: Unity of Polemic Forms and Documentary Images in Russian TV |
(Rus)
|
| Vol 6, No 4 (2014) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
VGIK: The Scientific Life in the Anniversary Year |
(Rus)
|
| Vol 6, No 4 (2014) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Film Studies As a Normative Academic Discipline |
(Rus)
|
| Vol 6, No 4 (2014) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Time - Backwards: Mayakovsky Quotes Vertov |
(Rus)
|
| Vol 6, No 4 (2014) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Time and Essence. Study of Cinema Product Temporal Analysis |
(Rus)
|
| Vol 6, No 4 (2014) |
PERFORMANCE | ART OF PRESENTATION |
Strategies of Audiovisual Translation |
(Rus)
|
| Vol 6, No 4 (2014) |
PERFORMANCE | ART OF PRESENTATION |
Character’s Imagery in Russian Animation of 1990s |
(Rus)
|
| Vol 6, No 4 (2014) |
PERFORMANCE | ART OF PRESENTATION |
The Art of Opera: Variability of Artistic Languages of Screen Forms |
(Rus)
|
| Vol 6, No 4 (2014) |
Articles |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 6, No 4 (2014) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Silver Age. Interference of the Russian and German Cultures |
(Rus)
|
| Vol 6, No 4 (2014) |
Articles |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 6, No 4 (2014) |
WORLD CINEMA | ANALYSIS |
Phenomenon of Political Biopic in the English-Language Cinema |
(Rus)
|
| Vol 6, No 4 (2014) |
PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT |
James Mangold is “a jewel of a man” in American Cinema |
(Rus)
|
| Vol 6, No 4 (2014) |
SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH |
Video Art: “A White Cube” or “A Black Box”? |
(Rus)
|
| Vol 6, No 4 (2014) |
Articles |
BIBLIOTEKA NII KINOISKUSSTVA |
(Rus)
|
| Vol 6, No 4 (2014) |
TELEVISION | DIGITAL ENVIRONMENT |
TV- Show: From the Audience Habits To Principles of Dramaturgy |
(Rus)
|
| Vol 7, No 2 (2015) |
TELEVISION | DIGITAL ENVIRONMENT |
Screen Communications As a Form of Socialization and Individualization |
(Rus)
|
| Vol 7, No 2 (2015) |
RECOMMENDATIONS AUTHORS |
RECOMMENDATIONS AUTHORS |
(Rus)
|
| Vol 6, No 4 (2014) |
TELEVISION | DIGITAL ENVIRONMENT |
Reconstruction As a Show In Contemporary Historical TV-research |
(Rus)
|
| Vol 6, No 3 (2014) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Mission Possible: We are shooting Russia! |
(Rus)
|
| Vol 6, No 3 (2014) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
State Guardianship of Cinema: The Issue of Goal-Setting |
(Rus)
|
| Vol 6, No 3 (2014) |
Articles |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 6, No 3 (2014) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Points of Disequilibrium in Narrative Dynamics and Their Structure |
(Rus)
|
| Vol 6, No 3 (2014) |
PERFORMANCE | ART OF PRESENTATION |
Theatre and Document: Opposition or Integration? |
(Rus)
|
| Vol 6, No 4 (2014) |
Articles |
BIBLIOTEKA NII KINOISKUSSTVA |
(Rus)
|
| Vol 6, No 4 (2014) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
VGIK: The Scientific Life in the Anniversary Year |
(Rus)
|
| Vol 6, No 4 (2014) |
Articles |
VGIK: Who are you, the future filmmaker? |
(Rus)
|
| Vol 6, No 3 (2014) |
PERFORMANCE | ART OF PRESENTATION |
Dynamics of Opera Screen Forms: Theoretical Aspects |
(Rus)
|
| Vol 6, No 2 (2014) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Hot summer MMKF'2014 |
(Rus)
|
| Vol 6, No 2 (2014) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Cinema Policy of Simple Solutions |
(Rus)
|
| Vol 6, No 2 (2014) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Screenplay as a Dynamic Process Model |
(Rus)
|
| Vol 6, No 2 (2014) |
PERFORMANCE | ART OF PRESENTATION |
Impact of Technology on Screen Aesthetics |
(Rus)
|
| Vol 6, No 2 (2014) |
PERFORMANCE | ART OF PRESENTATION |
Screen Version of «Charlie and the Chocolate Factory» as an Example of Literary Work's Visualization |
(Rus)
|
| Vol 6, No 2 (2014) |
PERFORMANCE | ART OF PRESENTATION |
Graphic Trends in New Russian Cinema |
(Rus)
|
| Vol 6, No 2 (2014) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Free Will and Existentialism of Death |
(Rus)
|
| Vol 6, No 2 (2014) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Problems of Presentation and Typology of Demonic and Monstrous Characters in Animation (for the beginning see Issue #19) |
(Rus)
|
| Vol 6, No 2 (2014) |
WORLD CINEMA | ANALYSIS |
Superhero Cinema Comics: Gender Transposition |
(Rus)
|
| Vol 6, No 2 (2014) |
PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT |
Both Screenwriter and Director |
(Rus)
|
| Vol 6, No 2 (2014) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Methodology of Factoring's Implementation in Leasing's Scheme |
(Rus)
|
| Vol 6, No 3 (2014) |
PERFORMANCE | ART OF PRESENTATION |
Cinematic Nature of English Pre-Raphaelites’ Painting |
(Rus)
|
| Vol 6, No 3 (2014) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Artistic Thinking as a Characteristic Property of Creative Intellect |
(Rus)
|
| Vol 6, No 3 (2014) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Impressionism as an Expression of Social Consciousness |
(Rus)
|
| Vol 6, No 3 (2014) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Silence of the Author: Semantics of Muting in Cinema |
(Rus)
|
| Vol 6, No 3 (2014) |
WORLD CINEMA | ANALYSIS |
Crime Teenpic as a Subgenre of American Cinema |
(Rus)
|
| Vol 6, No 3 (2014) |
Articles |
BIBLIOTEKA NII KINOISKUSSTVA |
(Rus)
|
| Vol 6, No 3 (2014) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Co-production in Current International Film Industry. Major Trends |
(Rus)
|
| Vol 6, No 3 (2014) |
SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH |
Planning Element as a Narrative Method in Moulding of Audiovisual Imagery in Documentaries |
(Rus)
|
| Vol 6, No 1 (2014) |
Articles |
Culture Year in Russia |
(Rus)
|
| Vol 6, No 3 (2014) |
SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH |
Collage Methods in Russian Animation Under Market Conditions |
(Rus)
|
| Vol 6, No 1 (2014) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Soviet cinema as a state budget’s contributor. Distribution in the 1930s |
(Rus)
|
| Vol 6, No 3 (2014) |
TELEVISION | DIGITAL ENVIRONMENT |
Creative Thinking as a Prelude to Creativity in Producing a Screen Product |
(Rus)
|
| Vol 6, No 1 (2014) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
“Moscow text” in Russian cinema in the 1920s-1940s |
(Rus)
|
| Vol 6, No 1 (2014) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
From an Exploration of Demonism in Early Modern Era to an Awareness of the Political Catastrophes of the 20 th Century: Notes on “Faust” by Alexander Sokurov |
(Rus)
|
| Vol 6, No 1 (2014) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
On prerequisites for developing artistic time theory |
(Rus)
|
| Vol 6, No 1 (2014) |
PERFORMANCE | ART OF PRESENTATION |
«The White Guard» on TV: fascinated by masscult mythology |
(Rus)
|
| Vol 6, No 1 (2014) |
PERFORMANCE | ART OF PRESENTATION |
Fractal graphic as digital objectless art |
(Rus)
|
| Vol 6, No 1 (2014) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
On representation and typology of the demoniac and monstrous characters |
(Rus)
|
| Vol 6, No 1 (2014) |
WORLD CINEMA | ANALYSIS |
The Silent Era in Australian Cinema |
(Rus)
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| Vol 6, No 2 (2014) |
TELEVISION | DIGITAL ENVIRONMENT |
Television Impact on Children's Development: Experience of Positive Modeling |
(Rus)
|
| Vol 6, No 2 (2014) |
Articles |
Lighting a new generation form the lightscript |
(Rus)
|
| Vol 6, No 2 (2014) |
READING-ROOM | REVIEW |
TV - always and everywhere, for all and for everyone |
(Rus)
|
| Vol 6, No 2 (2014) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Hands say (exhibition in the Museum Yermolova) |
(Rus)
|
| Vol 6, No 1 (2014) |
PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT |
Mir Mamoru Osii: illyuziya ili real'nost'? |
(Rus)
|
| Vol 5, No 4 (2013) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's |
(Rus)
|
| Vol 6, No 1 (2014) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Global criterion formation in producer’s decisions |
(Rus)
|
| Vol 6, No 1 (2014) |
TELEVISION | DIGITAL ENVIRONMENT |
Game on TV as a form of effective communication |
(Rus)
|
| Vol 6, No 1 (2014) |
TELEVISION | DIGITAL ENVIRONMENT |
Visualization of advertising media text on TV channels’ websites: creative technologies |
(Rus)
|
| Vol 6, No 1 (2014) |
READING-ROOM | REVIEW |
Absurd KING SIZE |
(Rus)
|
| Vol 6, No 1 (2014) |
Articles |
I am - caricaturist |
(Rus)
|
| Vol 5, No 3 (2013) |
Articles |
Prazdnik ekrannogo iskusstva |
(Rus)
|
| Vol 5, No 3 (2013) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Film Distribution and Exhibition in Pre-Revolutionary Russia (1896-1907) |
(Rus)
|
| Vol 5, No 3 (2013) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Myth of the Authenticity of the Wartime Newsreels |
(Rus)
|
| Vol 5, No 4 (2013) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants |
(Rus)
|
| Vol 5, No 4 (2013) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Alexander Sokurov’s “Faust”: Projection of Political Disasters in the History of the XX Century on Goethe's Tragedy |
(Rus)
|
| Vol 5, No 4 (2013) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound |
(Rus)
|
| Vol 5, No 4 (2013) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze |
(Rus)
|
| Vol 5, No 4 (2013) |
PERFORMANCE | ART OF PRESENTATION |
C.G. Jung on the Nature of Artistic Image |
(Rus)
|
| Vol 5, No 4 (2013) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Hoffmann’s Dual World in “Hoffmaniada” |
(Rus)
|
| Vol 5, No 4 (2013) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Hellenistic Period and Its Cultural Significance |
(Rus)
|
| Vol 5, No 4 (2013) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
The Images of China on Russian Screen. A Glance from the Audience |
(Rus)
|
| Vol 5, No 4 (2013) |
WORLD CINEMA | ANALYSIS |
The Visible and Invisible Worlds in Louis Bunuel’s “Viridiana” |
(Rus)
|
| Vol 5, No 4 (2013) |
PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT |
Travel with Walter Salles |
(Rus)
|
| Vol 5, No 4 (2013) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Computer Graphics Efficiency Criteria |
(Rus)
|
| Vol 5, No 4 (2013) |
TELEVISION | DIGITAL ENVIRONMENT |
On media conflict and new forms of screen product |
(Rus)
|
| Vol 5, No 4 (2013) |
Articles |
At this point, close to the river... |
(Rus)
|
| Vol 5, No 4 (2013) |
Articles |
Now we have forty... |
(Rus)
|
| Vol 5, No 2 (2013) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Film as Text. Some Aspects of Text Analysis |
(Rus)
|
| Vol 5, No 2 (2013) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
American cinema of the Great Depression. The «Social Restlessness Phase» |
(Rus)
|
| Vol 5, No 2 (2013) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier» |
(Rus)
|
| Vol 5, No 2 (2013) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Representation and Reconstruction of the Time in Non-Fiction Films |
(Rus)
|
| Vol 5, No 3 (2013) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Alexander Sokurov’s “Faust”: Goethe’s Philosophic Implications as a Problem |
(Rus)
|
| Vol 5, No 3 (2013) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound |
(Rus)
|
| Vol 5, No 3 (2013) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Analysis of Artistic Time in the Theory of Film Dramaturgy |
(Rus)
|
| Vol 5, No 3 (2013) |
PERFORMANCE | ART OF PRESENTATION |
“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice |
(Rus)
|
| Vol 5, No 3 (2013) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Aesthetic Analysis of the Show as a Concept |
(Rus)
|
| Vol 5, No 3 (2013) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
The Problem Field of Modern Information Space |
(Rus)
|
| Vol 5, No 3 (2013) |
READING-ROOM | REVIEW |
Opyt estetiko-sotsiologicheskogo analiza kinoiskusstva |
(Rus)
|
| Vol 5, No 3 (2013) |
WORLD CINEMA | ANALYSIS |
Camp Aesthetics and Movie Mix |
(Rus)
|
| Vol 5, No 3 (2013) |
PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT |
Baz Luhrmann’s creative manner |
(Rus)
|
| Vol 5, No 3 (2013) |
Articles |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 5, No 3 (2013) |
Articles |
BIBLIOTEKA NII KINOISKUSSTVA |
(Rus)
|
| Vol 5, No 3 (2013) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Regional Aspects of the State Policy in Culture and Art |
(Rus)
|
| Vol 5, No 3 (2013) |
Articles |
BIBLIOTEKA NII KINOISKUSSTVA |
(Rus)
|
| Vol 5, No 3 (2013) |
TELEVISION | DIGITAL ENVIRONMENT |
Evolution of the TV documentary genres and the principles of its classification |
(Rus)
|
| Vol 5, No 3 (2013) |
TELEVISION | DIGITAL ENVIRONMENT |
Social and cultural effects of the fragmentation of the audience |
(Rus)
|
| Vol 5, No 3 (2013) |
Articles |
Khudozhestvennye resheniya ekrannogo prostranstva v istoricheskom fil'me |
(Rus)
|
| Vol 5, No 2 (2013) |
PERFORMANCE | ART OF PRESENTATION |
Screen image. Aftereffect |
(Rus)
|
| Vol 5, No 1 (2013) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Does cinema remain the driving force of screen culture? |
(Rus)
|
| Vol 5, No 2 (2013) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Artistic Space as a Modern Aesthetical Category |
(Rus)
|
| Vol 5, No 1 (2013) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Great Kamchatka Expedition |
(Rus)
|
| Vol 5, No 2 (2013) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
The Role of the Information Space in the Culture of the Young Generation |
(Rus)
|
| Vol 5, No 1 (2013) |
PERFORMANCE | ART OF PRESENTATION |
Peculiarities of flash Animation |
(Rus)
|
| Vol 5, No 2 (2013) |
WORLD CINEMA | ANALYSIS |
Algeria: Birth of Cinema |
(Rus)
|
| Vol 5, No 1 (2013) |
Articles |
Biblioteka VGIK |
(Rus)
|
| Vol 5, No 2 (2013) |
PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT |
Shadi Abdel Salam, «the Pharaoh of Egyptian Cinema» |
(Rus)
|
| Vol 5, No 1 (2013) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Art and politics |
(Rus)
|
| Vol 5, No 2 (2013) |
PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT |
M.Night Shyamalan’s Ups and Downs |
(Rus)
|
| Vol 5, No 1 (2013) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
About eternity concepts in the film structure |
(Rus)
|
| Vol 5, No 2 (2013) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Can “Native” Cinema Be Marketable |
(Rus)
|
| Vol 5, No 1 (2013) |
WORLD CINEMA | ANALYSIS |
«Drowning by Numbers» by Peter Greenaway in light of surrealism |
(Rus)
|
| Vol 5, No 2 (2013) |
TELEVISION | DIGITAL ENVIRONMENT |
On modeling TV programs |
(Rus)
|
| Vol 5, No 1 (2013) |
PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT |
Rolf de Heer, one of the most unpredictable film directors |
(Rus)
|
| Vol 5, No 2 (2013) |
SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH |
Magic Realism of André Delvaux |
(Rus)
|
| Vol 5, No 1 (2013) |
PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT |
Kiki de Montparnasse and Ivan Mozzhukhin |
(Rus)
|
| Vol 5, No 2 (2013) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Golden Eagle-2013. Inpressions |
(Rus)
|
| Vol 5, No 1 (2013) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
State backing of non-fiction film |
(Rus)
|
| Vol 5, No 2 (2013) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Izobrazitel'noe reshenie v fil'me «Muzhchina i zhenshchina» |
(Rus)
|
| Vol 5, No 1 (2013) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Can “Native” Cinema Be Marketable |
(Rus)
|
| Vol 5, No 2 (2013) |
READING-ROOM | REVIEW |
Medialogiya kak nauchnaya distsiplina |
(Rus)
|
| Vol 5, No 1 (2013) |
Articles |
Biblioteka VGIK |
(Rus)
|
| Vol 5, No 1 (2013) |
TELEVISION | DIGITAL ENVIRONMENT |
On modeling TV programs |
(Rus)
|
| Vol 5, No 1 (2013) |
STUDENT SCIENTIFIC SCHOOL | RESEARCH YOUNG |
European Film Avant-Garde: phenomenological interpretation of reality |
(Rus)
|
| Vol 5, No 1 (2013) |
READING-ROOM | REVIEW |
Vzdyblennaya real'nost' |
(Rus)
|
| Vol 5, No 3 (2013) |
RECOMMENDATIONS AUTHORS |
Usloviya publikatsii statey v nauchnom periodicheskom zhurnale «Vestnik VGIK» |
(Rus)
|
| Vol 5, No 1 (2013) |
RECOMMENDATIONS AUTHORS |
Usloviya publikatsii statey v nauchnom periodicheskom zhurnale «Vestnik VGIK» |
(Rus)
|
| Vol 4, No 4 (2012) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Non-Selection Virus. A. Zvygintsev’s “Elena” in Terms of Identity theory |
(Rus)
|
| Vol 4, No 2-3 (2012) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Sociocultural Functions of Film Libraries and Archives |
(Rus)
|
| Vol 4, No 2-3 (2012) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
World War Two in the Cinema of the Late 1950s |
(Rus)
|
| Vol 4, No 4 (2012) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Golden Eagle-2012. Inpressions |
(Rus)
|
| Vol 4, No 4 (2012) |
PERFORMANCE | ART OF PRESENTATION |
A Hero and His Mask in Strip Cartoons |
(Rus)
|
| Vol 4, No 4 (2012) |
PERFORMANCE | ART OF PRESENTATION |
Phenomenon of the System Repetition in Photography as an Alternative to Film |
(Rus)
|
| Vol 4, No 4 (2012) |
Articles |
[ biblioteka VGIK ] |
(Rus)
|
| Vol 4, No 4 (2012) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid” |
(Rus)
|
| Vol 4, No 4 (2012) |
Articles |
[ biblioteka VGIK ] |
(Rus)
|
| Vol 4, No 4 (2012) |
WORLD CINEMA | ANALYSIS |
Scenic birth of “Waiting for Godot” by Samuel Beckett |
(Rus)
|
| Vol 4, No 4 (2012) |
Articles |
[ biblioteka VGIK ] |
(Rus)
|
| Vol 4, No 4 (2012) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
To the Issue of Modernization of the Cultural Sphere State Regulations |
(Rus)
|
| Vol 4, No 4 (2012) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
The Peculiarities of Financial Management of Cinema Houses |
(Rus)
|
| Vol 4, No 4 (2012) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
The Formula of Producer’s Happiness? |
(Rus)
|
| Vol 4, No 1 (2012) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Vekovoy yubiley otechestvennoy animatsii |
(Rus)
|
| Vol 4, No 4 (2012) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Social and Economic Aspects of Forming Film Audience |
(Rus)
|
| Vol 4, No 1 (2012) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Moral Aspects of Russian PreRevolutionary Cinema. Yakov Protazanov |
(Rus)
|
| Vol 4, No 4 (2012) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Can “Native” Cinema Be Marketable |
(Rus)
|
| Vol 4, No 1 (2012) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Mirror and its Semiotic Modifications in Culture |
(Rus)
|
| Vol 4, No 4 (2012) |
TELEVISION | DIGITAL ENVIRONMENT |
The Influence of the Marketability Factors on the TV Company |
(Rus)
|
| Vol 4, No 1 (2012) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
On the character transformation in the Russian Cinema |
(Rus)
|
| Vol 4, No 4 (2012) |
Articles |
Ekran i stsena. Dialog prostranstv |
(Rus)
|
| Vol 4, No 1 (2012) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Essential Peculiarities of Time Representation in the post-perestroika cinema |
(Rus)
|
| Vol 4, No 1 (2012) |
PERFORMANCE | ART OF PRESENTATION |
On the Forth Dimension in Animation. Synthetic Peculiarities of Puppet Cartoon Screenwriting |
(Rus)
|
| Vol 4, No 2-3 (2012) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Non-Selection Virus. A. Zvyagintsev’s «Elena» in Terms of Identity Theory |
(Rus)
|
| Vol 4, No 2-3 (2012) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films |
(Rus)
|
| Vol 4, No 2-3 (2012) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Paradoxes of the Thaw Period |
(Rus)
|
| Vol 4, No 2-3 (2012) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality» |
(Rus)
|
| Vol 4, No 2-3 (2012) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Artistic and Aesthetical Aspects of the Systematic Change in the First Half of the 20th Century |
(Rus)
|
| Vol 4, No 2-3 (2012) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Image of Home in Cinema |
(Rus)
|
| Vol 4, No 2-3 (2012) |
PERFORMANCE | ART OF PRESENTATION |
The Role of Memory in the Perception of the Screen Image |
(Rus)
|
| Vol 4, No 2-3 (2012) |
PERFORMANCE | ART OF PRESENTATION |
The Actor’s Perception of the Partner’s Speech |
(Rus)
|
| Vol 4, No 2-3 (2012) |
PERFORMANCE | ART OF PRESENTATION |
The War in Yury German’s Novel «Operation «Happy New Year!» and Alexey German’s Film «Trial on the Road» |
(Rus)
|
| Vol 4, No 2-3 (2012) |
PERFORMANCE | ART OF PRESENTATION |
Cliplike Montage and Illusory World |
(Rus)
|
| Vol 4, No 2-3 (2012) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
The Role of Memory in the Perception of the Screen Image |
(Rus)
|
| Vol 4, No 2-3 (2012) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Classic and Hellenistic Greece |
(Rus)
|
| Vol 4, No 2-3 (2012) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Who Is the Subject, and Who Is the Actor of Culture? |
(Rus)
|
| Vol 4, No 2-3 (2012) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study) |
(Rus)
|
| Vol 4, No 2-3 (2012) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Problems of Animation Film Visual Anthropology |
(Rus)
|
| Vol 4, No 2-3 (2012) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Iyun'skaya kinomaniya |
(Rus)
|
| Vol 4, No 1 (2012) |
PERFORMANCE | ART OF PRESENTATION |
On Creating a Virtual Character (analysis of«Mouchette.org» site) |
(Rus)
|
| Vol 4, No 1 (2012) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Philosophic Foundations of an Audiovisual Counterpoint in a Film |
(Rus)
|
| Vol 4, No 1 (2012) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
The factors of competitive ability of national film industries |
(Rus)
|
| Vol 4, No 1 (2012) |
SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH |
The Reflection of Ethno-Cultural Stereotypes in Film Art |
(Rus)
|
| Vol 4, No 1 (2012) |
TELEVISION | DIGITAL ENVIRONMENT |
Sitcom Genre Features |
(Rus)
|
| Vol 4, No 1 (2012) |
Articles |
[ biblioteka VGIK ] |
(Rus)
|
| Vol 4, No 1 (2012) |
Articles |
«Kino SShA na rubezhe vekov» |
(Rus)
|
| Vol 4, No 1 (2012) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
A Competitive Model of Commercial TV Broadcasting |
(Rus)
|
| Vol 4, No 1 (2012) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Cable and Satellite: “Non-Fiction” Content |
(Rus)
|
| Vol 4, No 1 (2012) |
Articles |
[ biblioteka VGIK ] |
(Rus)
|
| Vol 4, No 1 (2012) |
Articles |
Dom kino. Ekspozitsiya studentov VGIKa |
(Rus)
|
| Vol 4, No 1 (2012) |
Articles |
Khudozhnik dvukh kontinentov - Nikolay Feshin |
(Rus)
|
| Vol 4, No 2-3 (2012) |
WORLD CINEMA | ANALYSIS |
Madrid, province, Barcelona. Geography as a Phenomenological Object of Cinema |
(Rus)
|
| Vol 4, No 2-3 (2012) |
WORLD CINEMA | ANALYSIS |
«Terra Incognita» Cinema |
(Rus)
|
| Vol 4, No 2-3 (2012) |
DISCUSSION CLUB | UPDATED CONTEXT |
Art between Scylla and Charybdis Panel Discussion: «Paradoxes of Modern Artistic Culture» |
(Rus)
|
| Vol 4, No 2-3 (2012) |
DISCUSSION CLUB | UPDATED CONTEXT |
What Is an Ideal Script? Panel Discussion within the Framework of the Conference »Hero in Modern Writing» |
(Rus)
|
| Vol 4, No 2-3 (2012) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Cinema and Advertising: Enemies or Allies? |
(Rus)
|
| Vol 4, No 2-3 (2012) |
Articles |
[ biblioteka VGIK ] |
(Rus)
|
| Vol 4, No 2-3 (2012) |
TELEVISION | DIGITAL ENVIRONMENT |
Television Civilization and Image of Reality |
(Rus)
|
| Vol 4, No 2-3 (2012) |
Articles |
[ biblioteka VGIK ] |
(Rus)
|
| Vol 3, No 4 (2011) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Vserossiyskiy festival' nauki |
(Rus)
|
| Vol 3, No 4 (2011) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Moral Aspects of Russian PreRevolutionary Cinema |
(Rus)
|
| Vol 3, No 4 (2011) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Significance of Myth in the Work of Andrey Zvyagintsev |
(Rus)
|
| Vol 3, No 4 (2011) |
ХРОНИКА В ДЕТАЛЯХ | ДИСКУССИОННЫЙ КЛУБ |
Pervaya mezhdunarodnaya nauchnoprakticheskaya konferentsiya «Geroy v dramaturgii sovremennogo fil'ma» |
(Rus)
|
| Vol 3, No 4 (2011) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Poetic Cinema of the Post-Cultural Era |
(Rus)
|
| Vol 3, No 4 (2011) |
PERFORMANCE | ART OF PRESENTATION |
Basic Aspects of the Development of Systematic Repetition in Fine Art |
(Rus)
|
| Vol 3, No 4 (2011) |
PERFORMANCE | ART OF PRESENTATION |
Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev |
(Rus)
|
| Vol 3, No 4 (2011) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Liberty as a Cultural Value |
(Rus)
|
| Vol 4, No 2-3 (2012) |
WORKSHOP | LESSONS OF EXCELLENCE |
Television: Process and Phenomenon |
(Rus)
|
| Vol 4, No 2-3 (2012) |
STUDENT SCIENTIFIC SCHOOL | RESEARCH YOUNG |
The Origins of Surrealism. Absolutizing the Unconscious |
(Rus)
|
| Vol 4, No 2-3 (2012) |
Articles |
[ biblioteka VGIK ] |
(Rus)
|
| Vol 3, No 4 (2011) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Alfred Schnittke and the End of Russian Classic Music |
(Rus)
|
| Vol 3, No 4 (2011) |
READING-ROOM | BOOK SHELF |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 3, No 4 (2011) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
The factors of competitive ability of national film industries |
(Rus)
|
| Vol 3, No 4 (2011) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
The Search of New Distribution Patterns in Digital Media Environment |
(Rus)
|
| Vol 3, No 4 (2011) |
ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 3, No 4 (2011) |
TELEVISION | DIGITAL ENVIRONMENT |
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen |
(Rus)
|
| Vol 3, No 4 (2011) |
SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH |
To the problem of correlation between a screen adaptation and its literary source |
(Rus)
|
| Vol 3, No 4 (2011) |
SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH |
“My Friend Ivan Lapshin” as a Screen Adaptation |
(Rus)
|
| Vol 3, No 4 (2011) |
DISCUSSION CLUB | UPDATED CONTEXT |
Sovremennaya estetika. Mezhdu naukoy i iskusstvom |
(Rus)
|
| Vol 3, No 4 (2011) |
RECOMMENDATIONS AUTHORS |
REKOMENDATsII AVTORAM |
(Rus)
|
| Vol 3, No 3 (2011) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Observing the Observer, or the Poetics of Deconstruction. Based on New York, I Love You by A. Zvyagintsev |
(Rus)
|
| Vol 3, No 3 (2011) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Cinema in the Phase of Private Interest |
(Rus)
|
| Vol 3, No 3 (2011) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
A Symbolic Visual Structures in A. Sokurov's cinema |
(Rus)
|
| Vol 3, No 3 (2011) |
PERFORMANCE | ART OF PRESENTATION |
The Line in Neo-Modernism Geometrical Abstraction |
(Rus)
|
| Vol 3, No 3 (2011) |
PERFORMANCE | ART OF PRESENTATION |
Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood |
(Rus)
|
| Vol 3, No 3 (2011) |
Articles |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 3, No 3 (2011) |
Articles |
Language, Speech and Image in Analysing Artistic Forms |
(Rus)
|
| Vol 3, No 2 (2011) |
FIESTA CINEMA |
PRAZDNIK KINO. 33 Moskovskiy mezhdunarodnyy kinofestival' 23.06 - 02.07.2011 |
(Rus)
|
| Vol 3, No 2 (2011) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
To the Semiotics of the Mirror and Reflectivity |
(Rus)
|
| Vol 3, No 2 (2011) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Giotto: Open Cubes, Shallow Depths and Specific Repetition |
(Rus)
|
| Vol 3, No 2 (2011) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Artistic Ambitions of Screen Document at the Turn of the Century |
(Rus)
|
| Vol 3, No 2 (2011) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Mythology and Conventions of American Pre-War Cinema |
(Rus)
|
| Vol 3, No 2 (2011) |
PERFORMANCE | ART OF PRESENTATION |
Space in Art and Cinema |
(Rus)
|
| Vol 3, No 2 (2011) |
PERFORMANCE | ART OF PRESENTATION |
Still Life in the Space of the Film |
(Rus)
|
| Vol 3, No 2 (2011) |
Articles |
Humanitarian Practices in Modern Audiovisual Technologies |
(Rus)
|
| Vol 3, No 2 (2011) |
Articles |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 3, No 3 (2011) |
Articles |
Human Being in Media Arts: Character and TV Series |
(Rus)
|
| Vol 3, No 3 (2011) |
WORLD CINEMA | ANALYSIS |
Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization |
(Rus)
|
| Vol 3, No 1 (2011) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema |
(Rus)
|
| Vol 3, No 3 (2011) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
The Commercial Value of an Audiovisual Product. A Film as a Commodity Item |
(Rus)
|
| Vol 3, No 1 (2011) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Hellenistic Reform. Epicureanism and Image Deviations |
(Rus)
|
| Vol 3, No 3 (2011) |
TELEVISION | DIGITAL ENVIRONMENT |
Russian Television: the Conflict of Matrices |
(Rus)
|
| Vol 3, No 1 (2011) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Artistic Ambitions of Screen Document at the Turn of the Century |
(Rus)
|
| Vol 3, No 3 (2011) |
TELEVISION | DIGITAL ENVIRONMENT |
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen |
(Rus)
|
| Vol 3, No 1 (2011) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Situations and Characters of American Pre-War Cinema |
(Rus)
|
| Vol 3, No 3 (2011) |
Articles |
VGIK: 3-ya MEZhDUNARODNAYa LETNYaYa KINOShKOLA |
(Rus)
|
| Vol 3, No 1 (2011) |
PERFORMANCE | ART OF PRESENTATION |
Maupassant's "Boule de Suif" in Soviet Translation |
(Rus)
|
| Vol 3, No 3 (2011) |
Articles |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 3, No 1 (2011) |
PERFORMANCE | ART OF PRESENTATION |
The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme |
(Rus)
|
| Vol 3, No 3 (2011) |
STUDENT SCIENTIFIC SCHOOL | RESEARCH YOUNG |
The Individual and Contemporary in Yuliy Raizman's Late Work |
(Rus)
|
| Vol 3, No 1 (2011) |
Articles |
The Influence of Newest Audiovisual Technologies on the Audience |
(Rus)
|
| Vol 3, No 1 (2011) |
WORLD CINEMA | ANALYSIS |
New "Lyrical Sentience" of Guillaume Apollinaire and "Lyrical Truth" of Louis Delluc |
(Rus)
|
| Vol 3, No 1 (2011) |
TELEVISION | DIGITAL ENVIRONMENT |
Nature of Television as a Source ofDocumentary Genres Features |
(Rus)
|
| Vol 3, No 1 (2011) |
TELEVISION | DIGITAL ENVIRONMENT |
Real Television as a Factor of Socio- Cultural Globalization |
(Rus)
|
| Vol 3, No 1 (2011) |
SCIENTIFIC LABORATORY | COLOR IN MOVIE |
Axiology of the Political Dichotomy of the Russian Screen Content's Political "Overtone" |
(Rus)
|
| Vol 3, No 1 (2011) |
Articles |
V Ermitazhe - Prado |
(Rus)
|
| Vol 3, No 1 (2011) |
SCIENCE ALGORITHM | DIVING METHODOLOGY |
To the Problem of Research Methods |
(Rus)
|
| Vol 3, No 1 (2011) |
Articles |
Rossiyskoe animatsionnoe kino |
(Rus)
|
| Vol 3, No 2 (2011) |
WORLD CINEMA | ANALYSIS |
The Parable in the Work of World Film Masters |
(Rus)
|
| Vol 2, No 4 (2010) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema |
(Rus)
|
| Vol 2, No 4 (2010) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Classic Imagery. Pre-Socrates Philosophy, Socrates and Plato's "Advent" |
(Rus)
|
| Vol 3, No 2 (2011) |
WORLD CINEMA | ANALYSIS |
The Iranian Cinema of the 20th Century (1900-1980) |
(Rus)
|
| Vol 3, No 2 (2011) |
TELEVISION | DIGITAL ENVIRONMENT |
Russian Television: the Conflict of Matrices |
(Rus)
|
| Vol 3, No 2 (2011) |
TELEVISION | DIGITAL ENVIRONMENT |
The Peculiarities of Modern Television Speech |
(Rus)
|
| Vol 3, No 2 (2011) |
WORKSHOP | LESSONS OF EXCELLENCE |
The Search for Visual |
(Rus)
|
| Vol 3, No 2 (2011) |
Articles |
BIBLIOTEKA VGIK |
(Rus)
|
| Vol 3, No 2 (2011) |
Articles |
VOZVRAShchENIE |
(Rus)
|
| Vol 2, No 4 (2010) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Development of Female Characters in Central Asian Cinema |
(Rus)
|
| Vol 2, No 4 (2010) |
READING-ROOM | BOOK SHELF |
biblioteka VGIK |
(Rus)
|
| Vol 2, No 4 (2010) |
PERFORMANCE | ART OF PRESENTATION |
A Film Director in Search of the Genre |
(Rus)
|
| Vol 2, No 4 (2010) |
PERFORMANCE | ART OF PRESENTATION |
I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life" |
(Rus)
|
| Vol 2, No 4 (2010) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Modern Visual Culture: Psychological Space and Time in the Movies |
(Rus)
|
| Vol 2, No 4 (2010) |
WORLD CINEMA | ANALYSIS |
The Phenomenon of the French NewWave. Technology or Ideology? |
(Rus)
|
| Vol 2, No 4 (2010) |
READING-ROOM | BOOK SHELF |
biblioteka VGIK |
(Rus)
|
| Vol 2, No 4 (2010) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
The Pattern of Box-Office Receits |
(Rus)
|
| Vol 2, No 4 (2010) |
TELEVISION | DIGITAL ENVIRONMENT |
"The Karamazov Brothers" as intellectualgames |
(Rus)
|
| Vol 2, No 4 (2010) |
TELEVISION | DIGITAL ENVIRONMENT |
The Birth of a Personality from the Carnival Spirit |
(Rus)
|
| Vol 2, No 4 (2010) |
SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH |
A Film as an "Unfinished Script": theProblem of Composition |
(Rus)
|
| Vol 2, No 4 (2010) |
STUDENT SCIENTIFIC SCHOOL | RESEARCH YOUNG |
Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s) |
(Rus)
|
| Vol 2, No 4 (2010) |
STUDENT CREATIVE CLUB | INFORMAL DISCOURSE |
The Mirror Shield: the Camera as anInstrument of Civil Defence |
(Rus)
|
| Vol 2, No 4 (2010) |
RECOMMENDATIONS AUTHORS |
Usloviya publikatsii statey v nauchnomperiodicheskom zhurnale «Vestnik VGIK» |
(Rus)
|
| Vol 2, No 1 (2010) |
ХРОНИКА В ДЕТАЛЯХ | ВЫСОКИЕ ТЕХНОЛОГИИ |
Screen in the new time |
(Rus)
|
| Vol 2, No 1 (2010) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Historical time in a film structure(end, beginning in № 1) |
(Rus)
|
| Vol 2, No 1 (2010) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema") |
(Rus)
|
| Vol 2, No 1 (2010) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Remakes. The Artistic and Aesthetic Principles |
(Rus)
|
| Vol 2, No 1 (2010) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Aesthetic Features of the Modern TV-documentary |
(Rus)
|
| Vol 2, No 1 (2010) |
ORIGINAL SOURCE | DRAMATURGY OF GENRE |
Color and Sound in Balzac's Novels |
(Rus)
|
| Vol 2, No 1 (2010) |
READING-ROOM | BOOK SHELF |
ChITAL'NYY ZAL/ KNIZhNAYa POLKA |
(Rus)
|
| Vol 2, No 1 (2010) |
PERFORMANCE | ART OF PRESENTATION |
When the Time Stops |
(Rus)
|
| Vol 2, No 1 (2010) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Films about filmmaking. Reality and game |
(Rus)
|
| Vol 2, No 1 (2010) |
ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА |
ChITAL'NYY ZAL/ KNIZhNAYa POLKA |
(Rus)
|
| Vol 2, No 1 (2010) |
WORLD CINEMA | ANALYSIS |
Swedish Cinematograph at the beginning of the XXI century. The problem of national style |
(Rus)
|
| Vol 2, No 1 (2010) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
The mediabrend is urgency of the development in new economicalconditions |
(Rus)
|
| Vol 2, No 3 (2010) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Film Art in the System of Forming a Stage Identity Model |
(Rus)
|
| Vol 2, No 3 (2010) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Early Antique Imagery |
(Rus)
|
| Vol 2, No 3 (2010) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
On the importance of strategy changes of the discourse by the example of two Alexey Herman's films |
(Rus)
|
| Vol 2, No 3 (2010) |
PERFORMANCE | ART OF PRESENTATION |
Some Aspects of Semantics of Color in Film and Cultural Tradition (Conclusion. Beginning, # 3-4) |
(Rus)
|
| Vol 2, No 3 (2010) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
On the methodology of the study of ontology in the concept of cinema Andre Bazin |
(Rus)
|
| Vol 2, No 3 (2010) |
ARTISTIC FACULTY | EXPOSITION |
«Art. Proekt. Diplom 2010.», «Prostranstvo kino» |
(Rus)
|
| Vol 2, No 3 (2010) |
WORLD CINEMA | ANALYSIS |
Jean Cocteau. Trilogy about Death, or Between Dionysius and Apollo |
(Rus)
|
| Vol 2, No 1 (2010) |
SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH |
Digital Technologies in Cinema |
(Rus)
|
| Vol 2, No 1 (2010) |
WORKSHOP | LESSONS OF EXCELLENCE |
History of the Portrait |
(Rus)
|
| Vol 2, No 2 (2010) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Unknown Cinema of the War and Victory |
(Rus)
|
| Vol 2, No 1 (2010) |
RECOMMENDATIONS AUTHORS |
REKOMENDATsII AVTORAM |
|
| Vol 2, No 2 (2010) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Second World War Film Chronicle |
(Rus)
|
| Vol 2, No 2 (2010) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945 |
(Rus)
|
| Vol 2, No 2 (2010) |
TO THE 65th ANNIVERSARY OF VICTORY | EXHIBITION |
NemenskiyBoris Mikhaylovich |
(Rus)
|
| Vol 2, No 2 (2010) |
TO THE 65th ANNIVERSARY OF VICTORY | EXHIBITION |
«Nasha pamyat' - nasha Pobeda». Vystavka studencheskikh rabot raznykh let,posvyashchennykh Velikoy Otechestvennoy voyne |
(Rus)
|
| Vol 2, No 2 (2010) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
"War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate |
(Rus)
|
| Vol 2, No 2 (2010) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
"I-Film" or "Insight-Film" as a Specific Type of Postmodern Journey. Language Strategy |
(Rus)
|
| Vol 2, No 2 (2010) |
PERFORMANCE | ART OF PRESENTATION |
Some Aspects of Film Color Semantics and Cultural Tradition |
(Rus)
|
| Vol 2, No 2 (2010) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Theory of Marginality and the Cinemaof Postmodernism (P.P. Pasolini,R. Khamdamov, J. Stelling, L. von Trier) |
(Rus)
|
| Vol 2, No 2 (2010) |
WORLD CINEMA | ANALYSIS |
Dada on Screen. "The Bride Stripped Bare By Her Bachelors, Even" by M. Duchamp in R. Clair's "Entr'acte" |
(Rus)
|
| Vol 2, No 2 (2010) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Russian Cinema for Children and Adolescents. Unsolved Problems |
(Rus)
|
| Vol 2, No 2 (2010) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production |
(Rus)
|
| Vol 2, No 2 (2010) |
TELEVISION | DIGITAL ENVIRONMENT |
Screen reality in the context media milieu modernization |
(Rus)
|
| Vol 2, No 2 (2010) |
MULTIMEDIA | MODELING REALITY |
Digital Technologies and Virtual Worlds: Is Mankind on the Threshold of New Art? |
(Rus)
|
| Vol 2, No 2 (2010) |
DISCUSSION CLUB | UPDATED CONTEXT |
Gogol: Interpretational Paradoxes |
(Rus)
|
| Vol 2, No 3 (2010) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Artistic Merit as a Russian Film Competitiveness Factor |
(Rus)
|
| Vol 2, No 3 (2010) |
TELEVISION | DIGITAL ENVIRONMENT |
The Convergent and Integration Aspects of Mass Media Evolution in the Information Age |
(Rus)
|
| Vol 2, No 3 (2010) |
MULTIMEDIA | MODELING REALITY |
Digital Technologies and Virtual Worlds: Is Mankind on the Threshold of New Art? |
(Rus)
|
| Vol 2, No 3 (2010) |
SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH |
Dramatic Peculiarities of Ecological film |
(Rus)
|
| Vol 2, No 3 (2010) |
SUMMARY | PRESENTATION OF AUTHORS |
SUMMARYPREZENTATsIYa AVTOROV |
(Rus)
|
| Vol 2, No 3 (2010) |
RECOMMENDATIONS AUTHORS |
REKOMENDATsII AVTORAM |
(Rus)
|
| Vol 2, No 2 (2010) |
DISCUSSION CLUB | UPDATED CONTEXT |
Some Aspects of Mythological Reality |
(Rus)
|
| Vol 2, No 2 (2010) |
ПРОБЛЕМЫ ОБРАЗОВАНИЯ | НОВЫЙ ВЗГЛЯД |
Traditions and Innovations in Film Education |
(Rus)
|
| Vol 2, No 2 (2010) |
STUDENT CREATIVE CLUB | INFORMAL DISCOURSE |
Artist and Repression: Reflections |
(Rus)
|
| Vol 1, No 1 (2009) |
ANNIVERSARY YEAR | 90 YEARS |
VGIK v rusle traditsiy i innovatsiy |
(Rus)
|
| Vol 1, No 1 (2009) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Historical time in a film structure |
(Rus)
|
| Vol 1, No 1 (2009) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Postmodernism as Myths Generating Practice |
(Rus)
|
| Vol 1, No 1 (2009) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Godmother of Alexander Askoldov |
(Rus)
|
| Vol 1, No 1 (2009) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Vliyanie kul'tury Drevnego Kitaya na sovremennyy kinematograf |
(Rus)
|
| Vol 1, No 1 (2009) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Alteration of perception of the screen image - actual trend analysis |
(Rus)
|
| Vol 1, No 1 (2009) |
PERFORMANCE | ART OF PRESENTATION |
«Ty zastavlyaesh' zriteley smeyat'sya i pomogaesh' im luchshe ponimat' zhizn'. Mne eto nravitsya» |
(Rus)
|
| Vol 2, No 2 (2010) |
STUDENT SCIENTIFIC SCHOOL | RESEARCH YOUNG |
DiaMatrix. Eclectic Glance on the Historiosophy of the Soviet Cinema of the 1930-1940s |
(Rus)
|
| Vol 2, No 2 (2010) |
WORKSHOP | LESSONS OF EXCELLENCE |
A Long Story about a Big Set for a Short Episode |
(Rus)
|
| Vol 2, No 2 (2010) |
READING-ROOM | BOOK SHELF |
ChITAL'NYY ZAL |
(Rus)
|
| Vol 2, No 2 (2010) |
RECOMMENDATIONS AUTHORS |
Rekomendatsii avtoram.Usloviya publikatsii statey v nauchnomperiodicheskom zhurnale «Vestnik VGIK» |
(Rus)
|
| Vol 1, No 1 (2009) |
WORLD CINEMA | ANALYSIS |
Cinema of Bulgaria at the turn of century |
(Rus)
|
| Vol 1, No 1 (2009) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
System of audiovisual content distribution with application of digital technologies |
(Rus)
|
| Vol 1, No 1 (2009) |
SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH |
The creative work of Sergey Paradzhanov as an event of Postmodernism |
(Rus)
|
| Vol 1, No 1 (2009) |
WORKSHOP | LESSONS OF EXCELLENCE |
About dubbing foreign ilms |
(Rus)
|
| Vol 1, No 1 (2009) |
READING-ROOM | BOOK SHELF |
KNIGI RUKOPISI ZNANIYa |
(Rus)
|
| Vol 1, No 1 (2009) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Choice of profession: the bases of producer's workmanship |
(Rus)
|
| Vol 1, No 1 (2009) |
НАУЧНО-ПРАКТИЧЕСКАЯ КОНФЕРЕНЦИЯ |
Nauchno-prakticheskaya konferentsiya «Rossiyskiy kinobiznes: sovremennost' i perspektivy» k 90-letiyu VGIK i 100-letiyu professora B.N.Konopleva Rossiyskiy kinobiznes: sovremennost' i perspektivy |
(Rus)
|
| Vol 1, No 1 (2009) |
RECOMMENDATIONS AUTHORS |
REKOMENDATsII AVTORAM |
(Rus)
|
| Vol 11, No 1 (2019) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
"VGIK days" in Tajikistan |
(Rus)
|
| Vol 11, No 1 (2019) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Cinematic media in digital culture |
(Rus)
|
| Vol 11, No 2 (2019) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
VGIK Days in the Republic of Serbia |
(Rus)
|
| Vol 11, No 2 (2019) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The environment of the cinematic spectacle. The architecture of the early Russian movie theaters |
(Rus)
|
| Vol 11, No 2 (2019) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Russian Documentary at the Turn of the 21st Century |
(Rus)
|
| Vol 11, No 2 (2019) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Viktor Turin's Turksib as an ecological message |
(Rus)
|
| Vol 11, No 2 (2019) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
VR Cinema. Virtual Spectacle as a Dream |
(Rus)
|
| Vol 11, No 2 (2019) |
PERFORMANCE | ART OF PRESENTATION |
The image of prince Myshkin in Russian cinema |
(Rus)
|
| Vol 11, No 2 (2019) |
PERFORMANCE | ART OF PRESENTATION |
The sound world of the alienated film character |
(Rus)
|
| Vol 11, No 2 (2019) |
PERFORMANCE | ART OF PRESENTATION |
Framing as a method of creating a film's metaphorical context |
(Rus)
|
| Vol 11, No 2 (2019) |
PERFORMANCE | ART OF PRESENTATION |
Actual problems of the composition of the artistic image |
(Rus)
|
| Vol 11, No 2 (2019) |
READING-ROOM | BOOK SHELF |
VGIK Library |
(Rus)
|
| Vol 11, No 2 (2019) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Modern art history as a human science in a situation of cultural turn |
(Rus)
|
| Vol 11, No 2 (2019) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
The ‘hero archetype’ in the neo-mythological context of contemporary screen culture |
(Rus)
|
| Vol 11, No 2 (2019) |
WORLD CINEMA | ANALYSIS |
Existential problematics in the films of Pedro Costa |
(Rus)
|
| Vol 11, No 2 (2019) |
TELEVISION | DIGITAL ENVIRONMENT |
Artistic features of Russian TV serials about the Great Patriotic War |
(Rus)
|
| Vol 11, No 1 (2019) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero |
(Eng)
(Rus)
|
| Vol 11, No 1 (2019) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Between ideology and literature: the discussion of screenplays in the USSR in the 1930s |
(Rus)
|
| Vol 11, No 1 (2019) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Contemporary Russian cinema and its world contexts |
(Rus)
|
| Vol 11, No 1 (2019) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype |
(Rus)
|
| Vol 11, No 1 (2019) |
PERFORMANCE | ART OF PRESENTATION |
Mass scenes as a way of manipulating the consciousness of the viewer |
(Rus)
|
| Vol 11, No 1 (2019) |
PERFORMANCE | ART OF PRESENTATION |
VR technologies in docudrama |
(Rus)
|
| Vol 11, No 1 (2019) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Modern art history as a human science in a situation of cultural turn |
(Rus)
|
| Vol 11, No 1 (2019) |
WORLD CINEMA | ANALYSIS |
Australian cinema: transforming youth issues over time |
(Rus)
|
| Vol 11, No 1 (2019) |
TELEVISION | DIGITAL ENVIRONMENT |
Visual picture of the world in the reflection of modern media |
(Rus)
|
| Vol 11, No 1 (2019) |
TELEVISION | DIGITAL ENVIRONMENT |
Attraction on TV: rules of communication game |
(简体中)
(Rus)
|
| Vol 11, No 1 (2019) |
100 YEARS of VGIK | FACULTIES AND DEPARTMENTS |
To academic film science |
(Rus)
|
| Vol 11, No 1 (2019) |
100 YEARS of VGIK | FACULTIES AND DEPARTMENTS |
Screenplay theory: cinema is born in script |
(Rus)
|
| Vol 11, No 1 (2019) |
100 YEARS of VGIK | FACULTIES AND DEPARTMENTS |
Economics of film production in science and education |
(Rus)
|
| Vol 11, No 1 (2019) |
100 YEARS of VGIK | FACULTIES AND DEPARTMENTS |
Faculty as a unique school of creative communication |
(Rus)
|
| Vol 11, No 3 (2019) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The canons of capturing reality in the documentary cinema of the 1960s |
(Rus)
|
| Vol 1, No 1 (2009) |
SUMMARY | PRESENTATION OF AUTHORS |
preasentation of authors |
(Rus)
|
| Vol 11, No 2 (2019) |
SUMMARY | PRESENTATION OF AUTHORS |
SUMMARY | PRESENTATION OF AUTHORS |
(Rus)
|
| Vol 11, No 3 (2019) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint |
(Rus)
|
| Vol 11, No 3 (2019) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Methodological aspects of studying the history of Soviet cinema in the 1930s |
(Rus)
|
| Vol 11, No 3 (2019) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The evolution of visual instruments of VR cinema |
(Rus)
|
| Vol 11, No 3 (2019) |
PERFORMANCE | ART OF PRESENTATION |
The film star — the phenomenon of a parasocial relation |
(Rus)
|
| Vol 11, No 3 (2019) |
PERFORMANCE | ART OF PRESENTATION |
Methods of using the type expressiveness of the actor in the cinema of “new sincerity” |
(Rus)
|
| Vol 11, No 3 (2019) |
PERFORMANCE | ART OF PRESENTATION |
The role and basic aspects of ‘‘the montage of attractions’’ in Russian cinema |
(Rus)
|
| Vol 11, No 3 (2019) |
PERFORMANCE | ART OF PRESENTATION |
Self-Media as a Model for Monetization of Knowledge Code |
(Rus)
|
| Vol 11, No 3 (2019) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Modern art history as a human science in a situation of cultural turn |
(Rus)
|
| Vol 11, No 3 (2019) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Contemporary approach to the understanding of the notion of “beautiful” as an aesthetic category |
(Rus)
|
| Vol 11, No 3 (2019) |
WORLD CINEMA | ANALYSIS |
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics |
(Rus)
|
| Vol 11, No 3 (2019) |
WORLD CINEMA | ANALYSIS |
The story of one crime: in life, in literature and in cinema |
(Rus)
|
| Vol 11, No 3 (2019) |
100 YEARS of VGIK | FACULTIES AND DEPARTMENTS |
100th anniversary of the acting faculty of VGIK |
(Rus)
|
| Vol 11, No 3 (2019) |
100 YEARS of VGIK | FACULTIES AND DEPARTMENTS |
Worldview criteria for a profession in the bowels of VGIK |
(Rus)
|
| Vol 11, No 3 (2019) |
100 YEARS of VGIK | FACULTIES AND DEPARTMENTS |
The profession of an artist-animator, or how to learn how to control the movement of a drawing |
(Rus)
|
| Vol 11, No 3 (2019) |
SUMMARY | PRESENTATION OF AUTHORS |
SUMMARY | PRESENTATION OF AUTHORS |
(Rus)
|
| Vol 11, No 3 (2019) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Centenary of the oldest film school |
(Rus)
|
| Vol 11, No 1 (2019) |
SUMMARY | PRESENTATION OF AUTHORS |
Editorial article |
(Rus)
|
| Vol 10, No 3 (2018) |
SUMMARY | PRESENTATION OF AUTHORS |
Editors article |
(Rus)
|
| Vol 10, No 2 (2018) |
SUMMARY | PRESENTATION OF AUTHORS |
Editorial article |
(Rus)
|
| Vol 10, No 1 (2018) |
SUMMARY | PRESENTATION OF AUTHORS |
Editorial article |
(Rus)
|
| Vol 9, No 4 (2017) |
SUMMARY | PRESENTATION OF AUTHORS |
Editorial article |
(Rus)
|
| Vol 12, No 1 (2020) |
WORLD CINEMA | ANALYSIS |
A screen version of the story of Salinger translated into Farsi |
(Rus)
|
| Vol 11, No 4 (2019) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
CILECT as the Project of a World Film School: Origins, Specifics, Development |
(Rus)
|
| Vol 11, No 4 (2019) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Sergei Eisenstein’s Ideas in the Context of Contemporary Cinema. Stereo Film and Stereo Sound |
(Rus)
|
| Vol 11, No 4 (2019) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
In a holiday atmosphere |
(Rus)
|
| Vol 11, No 4 (2019) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Pyotr Chardynin’s The Idiot as a Phenomenon of Creative Reinterpretation of Dostoevsky’s Novel |
(Rus)
|
| Vol 11, No 4 (2019) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Russian Intelligentsia: Taming Nihilism in the Stalin Period |
(Rus)
|
| Vol 11, No 4 (2019) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
On the Problem of the Discourse Analysis of Literary Texts |
(Rus)
|
| Vol 11, No 4 (2019) |
PERFORMANCE | ART OF PRESENTATION |
The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam |
(Rus)
|
| Vol 12, No 1 (2020) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Historical time and the image of the house in A. Sokurov’s work |
(Rus)
|
| Vol 11, No 4 (2019) |
PERFORMANCE | ART OF PRESENTATION |
The Existential World of Kira Muratova |
(Rus)
|
| Vol 12, No 1 (2020) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The struggle for the Far East in the interpretation of the Vasilyev brothers |
(Rus)
|
| Vol 11, No 4 (2019) |
PERFORMANCE | ART OF PRESENTATION |
Multimedia Learning Model: Adapting an Image in a Screen Work |
(Rus)
|
| Vol 11, No 4 (2019) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Modern Art History As a Human Science in a Situation of Cultural Turn |
(Rus)
|
| Vol 11, No 4 (2019) |
WORLD CINEMA | ANALYSIS |
Agnes’ Self-Reflection in Ingmar Bergman’s Cries and Whispers |
(Rus)
|
| Vol 11, No 4 (2019) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Cooperation between the Russian Animation Industry and Asian Partners |
(Rus)
|
| Vol 11, No 4 (2019) |
100 YEARS of VGIK | FACULTIES AND DEPARTMENTS |
Directing Department: First Steps |
(Rus)
|
| Vol 11, No 4 (2019) |
100 YEARS of VGIK | FACULTIES AND DEPARTMENTS |
Alma Mater of domestic cameramen |
(Rus)
|
| Vol 12, No 1 (2020) |
PERFORMANCE | ART OF PRESENTATION |
Modern Social Problems in the Works of Novice Documentary Filmmakers |
(Rus)
|
| Vol 12, No 1 (2020) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Russian Сinema: Modest Charm of a Hollow Character? |
(Rus)
|
| Vol 11, No 4 (2019) |
SUMMARY | PRESENTATION OF AUTHORS |
Editorial article |
(Rus)
|
| Vol 12, No 2 (2020) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
A Study of the Film ‘‘Andrei Rublyov’’: from the Perspective of Neoplatonism and Ideology of Dionysius the Areopagite |
(Rus)
|
| Vol 12, No 3 (2020) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Film “Stalker” by A.A.Tarkovsky as a Manifestation of F.M.Dostoevsky’s World Outlook |
(Rus)
|
| Vol 12, No 3 (2020) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Short Film: Genre Originality of Debuts |
(Rus)
|
| Vol 12, No 2 (2020) |
WORLD CINEMA | ANALYSIS |
A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen |
(Rus)
|
| Vol 12, No 2 (2020) |
PERFORMANCE | ART OF PRESENTATION |
Vlog: Literary Tradition and Political Strategies |
(Rus)
|
| Vol 12, No 2 (2020) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Reconstruction of the Past in the Reality of Screen Imagery |
(Rus)
|
| Vol 13, No 1 (2021) |
WORLD CINEMA | ANALYSIS |
“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films |
(Rus)
|
| Vol 12, No 2 (2020) |
PERFORMANCE | ART OF PRESENTATION |
Grotesque as a Formative Method in the Drama of a Feature Film |
(Rus)
|
| Vol 12, No 2 (2020) |
PERFORMANCE | ART OF PRESENTATION |
Conflict of Artificial and Living Body in Cinema the Theme of Fear and its Overcoming |
(Rus)
|
| Vol 12, No 2 (2020) |
TELEVISION | DIGITAL ENVIRONMENT |
Visual Discourses of Social Policy in TV Practice |
(Rus)
|
| Vol 12, No 1 (2020) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Stopover? Non-fiction movies in the first decade after the millennium |
(Rus)
|
| Vol 12, No 1 (2020) |
PERFORMANCE | ART OF PRESENTATION |
Dramaturgy of the character of the tempter devil in the movie |
(Rus)
|
| Vol 12, No 1 (2020) |
PERFORMANCE | ART OF PRESENTATION |
The emergence of a holistic artistic image |
(Rus)
|
| Vol 12, No 1 (2020) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Modern art history as a human science in a situation of cultural turn |
(Rus)
|
| Vol 12, No 1 (2020) |
TELEVISION | DIGITAL ENVIRONMENT |
Transmedia Storytelling: A Feature of the Digital Media World |
(Rus)
|
| Vol 12, No 1 (2020) |
TELEVISION | DIGITAL ENVIRONMENT |
Techniques for compositional filling the space of a television frame |
(Rus)
|
| Vol 12, No 2 (2020) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Image and Sound of War in the Films “The Ascent” and “Come and See” |
(Rus)
|
| Vol 12, No 1 (2020) |
SUMMARY | PRESENTATION OF AUTHORS |
Editorial' article |
(Rus)
|
| Vol 12, No 1 (2020) |
READING-ROOM | BOOK SHELF |
L |
(Rus)
|
| Vol 12, No 1 (2020) |
ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА |
L |
(Rus)
|
| Vol 12, No 1 (2020) |
RECOMMENDATIONS AUTHORS |
Recommendations to authors |
(Rus)
|
| Vol 12, No 1 (2020) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Cinema of the XXI century: youth forum |
(Rus)
|
| Vol 12, No 2 (2020) |
TELEVISION | DIGITAL ENVIRONMENT |
Mediatization as a Mode of Being in the Light of Self-Isolation |
(Rus)
|
| Vol 12, No 3 (2020) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Cinema Magic: Mask and Myth |
(Rus)
|
| Vol 12, No 2 (2020) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Modern Art History As a Human Science in a Situation of Cultural Turn |
(Rus)
|
| Vol 12, No 2 (2020) |
WORLD CINEMA | ANALYSIS |
Palestine in Foreign Cinema |
(Rus)
|
| Vol 11, No 3 (2019) |
ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА |
VGIK LIBRARY |
(Rus)
|
| Vol 11, No 3 (2019) |
READING-ROOM | BOOK SHELF |
Библиотека ВГИК |
(Rus)
|
| Vol 11, No 3 (2019) |
RECOMMENDATIONS AUTHORS |
Рекомендации авторам |
(Rus)
|
| Vol 11, No 4 (2019) |
RECOMMENDATIONS AUTHORS |
Рекомендации авторам |
(Rus)
|
| Vol 11, No 2 (2019) |
RECOMMENDATIONS AUTHORS |
Рекомендации авторам |
(Rus)
|
| Vol 11, No 1 (2019) |
RECOMMENDATIONS AUTHORS |
Рекомендации авторам |
(Rus)
|
| Vol 10, No 4 (2018) |
READING-ROOM | BOOK SHELF |
Library VGIK |
(Rus)
|
| Vol 10, No 4 (2018) |
ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА |
Library VGIK |
(Rus)
|
| Vol 10, No 4 (2018) |
SUMMARY | PRESENTATION OF AUTHORS |
Summary |
(Rus)
|
| Vol 10, No 4 (2018) |
RECOMMENDATIONS AUTHORS |
Recommendations to authors |
(Rus)
|
| Vol 10, No 4 (2018) |
ЧИTAЛЬHЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА |
Library VGIK |
(Rus)
|
| Vol 12, No 3 (2020) |
PERFORMANCE | ART OF PRESENTATION |
Techniques for Representing the Author in Alexander Sokurov’s films |
(Rus)
|
| Vol 12, No 2 (2020) |
ХРОНИКА В ДЕТАЛЯХ | 75-ЛЕТИЕ ПОБЕДЫ |
No one is forgotten, nothing is forgotten… |
(Rus)
|
| Vol 12, No 2 (2020) |
READING-ROOM | BOOK SHELF |
Библиотека ВГИК |
(Rus)
|
| Vol 12, No 2 (2020) |
SUMMARY | PRESENTATION OF AUTHORS |
Summary |
(Rus)
|
| Vol 12, No 2 (2020) |
RECOMMENDATIONS AUTHORS |
Рекомендации авторам |
(Rus)
|
| Vol 12, No 2 (2020) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema |
(Rus)
|
| Vol 12, No 3 (2020) |
PERFORMANCE | ART OF PRESENTATION |
Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War |
(Rus)
|
| Vol 12, No 3 (2020) |
TELEVISION | DIGITAL ENVIRONMENT |
Modern Forms of Capturing Reality in the Format of Video Hosting |
(Rus)
|
| Vol 12, No 3 (2020) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika” |
(Rus)
|
| Vol 12, No 3 (2020) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Is Aesthetics a Metatheory in Relation to Art Criticism? |
(Rus)
|
| Vol 12, No 3 (2020) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
S.Eisenstein. Aggression of Discourse: Theoretical Justification |
(Rus)
|
| Vol 13, No 1 (2021) |
TELEVISION | DIGITAL ENVIRONMENT |
Convergent Audience: Research Approaches |
(Rus)
|
| Vol 12, No 4 (2020) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Image of War in the Cinema of the 60s. Knights without Past and Future |
(Rus)
|
| Vol 12, No 3 (2020) |
PERFORMANCE | ART OF PRESENTATION |
Animated Documentary: Problems of Classifying the Hybrid Forms of Post-Digital Culture |
(Rus)
|
| Vol 12, No 4 (2020) |
PERFORMANCE | ART OF PRESENTATION |
B.M.Nemensky’s “Berlin Sketches” and the Traditions of Russian Fine Art |
(Rus)
|
| Vol 12, No 4 (2020) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
From a Screen Document to a Poetic Image. Making Sense |
(Rus)
|
| Vol 12, No 3 (2020) |
READING-ROOM | BOOK SHELF |
Library VGIK |
(Rus)
|
| Vol 12, No 3 (2020) |
SUMMARY | PRESENTATION OF AUTHORS |
Summary |
(Rus)
|
| Vol 12, No 3 (2020) |
RECOMMENDATIONS AUTHORS |
Recommendations for authors |
(Rus)
|
| Vol 12, No 3 (2020) |
XPOHИКА В ДЕТАЛЯХ | АКТУАЛЬНОЕ СОБЫТИЕ |
40th International Student Festival of VGIK |
(Rus)
|
| Vol 12, No 3 (2020) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
VGIK festival: virtual recognition |
(Rus)
|
| Vol 12, No 4 (2020) |
PERFORMANCE | ART OF PRESENTATION |
The Expressive Function of Color in Modern Non-Fiction Films |
(Rus)
|
| Vol 13, No 2(48) (2021) |
PERFORMANCE | ART OF PRESENTATION |
The Intertextuality of the Sound Space in Dmitry Volkostrelov’s productions |
(Rus)
|
| Vol 12, No 4 (2020) |
WORLD CINEMA | ANALYSIS |
The Concept of Latent Dramaturgy in Contemporary Iranian Cinema |
(Rus)
|
| Vol 12, No 4 (2020) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Initiation by Fear as a Model of Soviet Film Tales of the 1960s |
(Rus)
|
| Vol 12, No 4 (2020) |
PERFORMANCE | ART OF PRESENTATION |
Composition of a Series of Artist's Works as an Emergent System |
(Rus)
|
| Vol 12, No 4 (2020) |
TELEVISION | DIGITAL ENVIRONMENT |
TV Speech: the Polycode Nature of Verbal Inclusions |
(Rus)
|
| Vol 12, No 4 (2020) |
WORLD CINEMA | ANALYSIS |
Sound Space of M.Garrone’s Films: from Fiction to Reality |
(Rus)
|
| Vol 12, No 4 (2020) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
A Character in the Space of Leisure. An Essay on Dramatic Composition of Film |
(Rus)
|
| Vol 13, No 1 (2021) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Screenlife vs. Classic Cinema |
(Rus)
|
| Vol 13, No 1 (2021) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
The Price of Going out to the Movies — the History and the Contemporaneousness |
(Rus)
|
| Vol 12, No 4 (2020) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
On the eve of the New Year holidays |
(Rus)
|
| Vol 12, No 4 (2020) |
SUMMARY | PRESENTATION OF AUTHORS |
Summary |
(Rus)
|
| Vol 12, No 4 (2020) |
RECOMMENDATIONS AUTHORS |
Recommendations for the authors |
(Rus)
|
| Vol 12, No 4 (2020) |
READING-ROOM | BOOK SHELF |
The Library VGIK |
(Rus)
|
| Vol 12, No 4 (2020) |
ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА |
The Library VGIK |
(Rus)
|
| Vol 12, No 4 (2020) |
ЧИTAЛЬHЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА |
The Library VGIK |
(Rus)
|
| Vol 12, No 4 (2020) |
КНИЖНАЯ ПОЛКА | ЧИТАЛЬНЫЙ ЗАЛ |
The Library VGIK |
(Rus)
|
| Vol 12, No 4 (2020) |
ХРОНИКА В ДЕТАЛЯХ | ПРАКТИКУМ ДЛЯ СТУДЕНТОВ |
Exhibition of coursework of 3rd year students of the Faculty of Art, VGIK |
(Rus)
|
| Vol 13, No 1 (2021) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Evolution of the Concept of the Victory in Russian Documentary Cinema |
(Rus)
|
| Vol 13, No 1 (2021) |
PERFORMANCE | ART OF PRESENTATION |
VR-technologies in Animation |
(Rus)
|
| Vol 13, No 1 (2021) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Media Image of the Screen as Representation of Sociocultural Reality |
(Rus)
|
| Vol 13, No 1 (2021) |
PERFORMANCE | ART OF PRESENTATION |
Folklore Traditions of the Sverdlovsk Animation School |
(Rus)
|
| Vol 13, No 1 (2021) |
ПРАВОВЫЕ АСПЕКТЫ | НАУЧНОЕ ЦИТИРОВАНИЕ |
Free Citation: Limits and Opportunities |
(Rus)
|
| Vol 13, No 2(48) (2021) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Paradoxes of Deconstruction in Postmodern Aesthetics and Art Cinema |
(Rus)
|
| Vol 13, No 1 (2021) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Drama Features оf Documentary: Movie, TV Film, Streaming Platform |
(Rus)
|
| Vol 13, No 2(48) (2021) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Labyrinth Structure: the Complexity of Plot Construction as a Problem in the Theory of Drama |
(Rus)
|
| Vol 13, No 2(48) (2021) |
TELEVISION | DIGITAL ENVIRONMENT |
Contemporary TV Series: Narrative and Genre Metamorphoses |
(Rus)
|
| Vol 13, No 3(49) (2021) |
WORLD CINEMA | ANALYSIS |
The Victimizer-Victim Conflict as Represented in the Foreign Post-War Cinematograph |
(Rus)
|
| Vol 13, No 2(48) (2021) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Historical Trauma as a Source of Grotesque in Cinema |
(Rus)
|
| Vol 13, No 2(48) (2021) |
WORLD CINEMA | ANALYSIS |
Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema |
(Rus)
|
| Vol 13, No 2(48) (2021) |
PERFORMANCE | ART OF PRESENTATION |
The Perception of a Contemporary in Non-fiction Films |
(Rus)
|
| Vol 13, No 1 (2021) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
The Year of Science and Technology |
(Rus)
|
| Vol 13, No 1 (2021) |
SUMMARY | PRESENTATION OF AUTHORS |
Presentation of the authors |
(Rus)
|
| Vol 13, No 1 (2021) |
RECOMMENDATIONS AUTHORS |
Recommendations to authors |
(Rus)
|
| Vol 13, No 2(48) (2021) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
(Rus)
|
| Vol 13, No 3(49) (2021) |
PERFORMANCE | ART OF PRESENTATION |
The Сoncept of Sound Expression in Viktor Kosakovsky’s Documentaries |
(Rus)
|
| Vol 13, No 2(48) (2021) |
PERFORMANCE | ART OF PRESENTATION |
Compositional Objectives of Academic Drawing |
(Rus)
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| Vol 13, No 2(48) (2021) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
A Stunt as a Plastic Metaphor in Epic Series “Liberation” |
(Rus)
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| Vol 13, No 2(48) (2021) |
SUMMARY | PRESENTATION OF AUTHORS |
Summary |
(Rus)
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| Vol 13, No 2(48) (2021) |
RECOMMENDATIONS AUTHORS |
Recommendations to authors |
(Rus)
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| Vol 13, No 2(48) (2021) |
READING-ROOM | BOOK SHELF |
Библиотека ВГИК |
(Rus)
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| Vol 13, No 2(48) (2021) |
ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА |
Библиотека ВГИК |
(Rus)
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| Vol 13, No 2(48) (2021) |
ЧИTAЛЬHЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА |
Библиотека ВГИК |
(Rus)
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| Vol 13, No 3(49) (2021) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
On the Essence and Relevance of the Work on Semantic Oppositions in Creative Writing |
(Rus)
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| Vol 13, No 2(48) (2021) |
XPOHИКА В ДЕТАЛЯХ | АКТУАЛЬНОЕ СОБЫТИЕ |
From the First of September, VGIK! |
(Rus)
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| Vol 13, No 2(48) (2021) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Master class by B.V.Vengerovsky, Honored Artist of Russia.
A visit to Peredelkino. Boris Pasternak House Museum.
Production faculty: master class by Anatoly Sivushov.
At the opening of the monument "Shoulder to Shoulder" |
(Rus)
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| Vol 13, No 3(49) (2021) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
(Rus)
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| Vol 13, No 3(49) (2021) |
TELEVISION | DIGITAL ENVIRONMENT |
Fluctuations in the Media Market in an Era of Communication Abundance |
(Rus)
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| Vol 13, No 3(49) (2021) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Concept Of Self-Sacrifice In The Philosophy Of Andrei Tarkovsky’s Work |
(Rus)
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| Vol 13, No 3(49) (2021) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Alexander Dovzhenko. Poetic Space of Immortality |
(Rus)
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| Vol 13, No 3(49) (2021) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera” |
(Rus)
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| Vol 13, No 3(49) (2021) |
PERFORMANCE | ART OF PRESENTATION |
Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema |
(Rus)
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| Vol 13, No 3(49) (2021) |
CHRONICLE IN DETAIL | CURRENT EVENTS |
Focus on tradition and innovation! |
(Rus)
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| Vol 13, No 3(49) (2021) |
READING-ROOM | BOOK SHELF |
The Library VGIK |
(Rus)
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| Vol 13, No 3(49) (2021) |
ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА |
The Library VGIK |
(Rus)
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| Vol 13, No 3(49) (2021) |
SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH |
Modern Films In The Assessment Of Future Filmmakers |
(Rus)
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| Vol 13, No 3(49) (2021) |
XPOHИКА В ДЕТАЛЯХ | АКТУАЛЬНОЕ СОБЫТИЕ |
Artistic Space In Documentary Films (According To The Results Of The XVII Kazan International Muslim Film Festival) |
(Rus)
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| Vol 13, No 3(49) (2021) |
SUMMARY | PRESENTATION OF AUTHORS |
Summary |
(Rus)
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| Vol 13, No 3(49) (2021) |
RECOMMENDATIONS AUTHORS |
Recommendations for Authors |
(Rus)
|
